Marion Bauer - Works

Works

(From the list of Bauer's works in New Grove unless otherwise indicated)

Orchestral Works:

  • Lament on an African Theme, Op. 20a, strings (1927)
  • Sun Splendor (?1936)
  • Symphonic Suite, Op. 34, strings (1940)
  • Piano Concerto “American Youth,” Op. 36, (1943) (arranged for 2 pianos 1946)
  • Symphony No. 1, Op. 45, (1947–1950)
  • Prelude and Fugue, Op. 43, flute and strings (1948 rev. 1949)

Chamber works:

  • Up the Ocklawaha, Op. 6, violin and piano (1913)
  • Sonata No. 1, Op. 14, violin and piano (1921 rev. 1922)
  • String Quartet, Op. 20 (1925)
  • Fantasia Quasi una Sonata, Op. 18, violin and piano (1925)
  • Suite (Duo), Op. 25, oboe and clarinet (1932)
  • Sonata, Op. 22, viola or clarinet and piano (1932)
  • Concertino, Op. 32b, oboe, clarinet, and string quartet or orchestra (1939 rev. 1943)
  • Trio Sonata No. 1, Op. 40, flue, cello, piano (1944)
  • Five Pieces (Patterns) Op. 41, string quartet (1946–1949, no. 2 arranged for double woodwind quintet and double bass—1948)
  • Aquarelle, Op. 39/2a, double woodwind quintet, 2 double basses (1948)
  • Trio sonata No. 2, Op. 47, flute, cello, piano (1951)
  • Woodwind Quintet, Op. 48, flue, oboe, clarinet, bassoon, horn (1956)

Keyboard works (for piano unless otherwise noted):

  • Three Impressions, Op. 10 (1918)
  • From the New Hampshire Woods, Op. 12 (1922)
  • Three Preludettes (1921)
  • Six Preludes, op. 15 (1922)
  • Turbulence, op. 17/2 (1924)
  • A Fancy (1927)
  • Sun Splendor, (?1929, arranged for 2 pianos ?1930)
  • Four Piano Pieces, op. 21 (1930)
  • Dance Sonata, op. 24 (1932)
  • Moods (Three Moods for Dance), op. 46 (1950/4)
  • Anagrams, op. 48 (1950)
  • Meditation and Toccata, organ (1951)

Choral works:

  • Wenn ich rufe an dich, Herr, mein Gott (Ps xxviii), op. 3, Soprano, women's chorus, organ/piano (1903)
  • Fair Daffodils (R. Herrick), women's chorus, keyboard (1914)
  • Orientale (E. Arnold), soprano, orchestra (1914, orchestrated 1932, rev. 1934)
  • The Lay of the Four Winds (C.Y. Rice), Op. 8, male chorus, piano (1915)
  • Three Noëls (L.I. Guiney, trad.), Op. 22, Nos. 1–3, women's chorus, piano (1930)
  • Here at High Morning (M. Lewis), Op. 27, male chorus (1931)
  • The Thinker, Op. 35, mixed chorus (1938)
  • China (B. Todrin), Op. 38, mixed chorus, orchestra/piano (1943)
  • At the New Year (K. Patchen), Op. 42, mixed chorus, piano (1947)
  • Death Spreads his Gentle Wings (E.P. Crain), mixed chorus (1949 rev. 1951)
  • A Foreigner Comes to Earth on Boston Common (H. Gregory), Op. 49, soprano, tenor, mixed chorus, piano (1953)

Other vocal works:

  • "Coyote Song" (J.S. Reed), baritone, piano (1912)
  • "Send Me a Dream" (Intuition) (E.F. Bauer), solo voice, piano (1912)
  • "Phillis" (C.R. Defresny), medium voice, piano (1914)
  • "By the Indus" (Rice), solo voice, piano (1917)
  • "My Faun" (O. Wilde), solo voice, piano (1919)
  • "Night in the Woods" (E.R. Sill), medium voice, piano (1921)
  • "The Epitaph of a Butterfly" (T. Walsh), solo voice, piano (1921)
  • "A Parable" (The Blade of Grass) (S. Crane), solo voice, piano (1922)
  • "Four Poems" (J.G. Fletcher), Op. 16, high voice, piano (1924)
  • "Faun Song," alto, chamber orchestra (1934)
  • "Four Songs (Suite)," soprano, string quartet (1935 rev. 1936)
  • "Songs in the Night" (M.M.H. Ayers), solo voice, piano (1943)
  • "The Harp" (E.C. Bailey), solo voice, piano (1947)
  • "Swan" (Bailey), solo voice, piano (1947)

Read more about this topic:  Marion Bauer

Famous quotes containing the word works:

    “The family that perseveres in good works will surely have an abundance of blessings.”
    —Chinese proverb.

    “A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.”
    —Vladimir Nabokov (1899–1977)

    “Any balance we achieve between adult and parental identities, between children’s and our own needs, works only for a time—because, as one father says, “It’s a new ball game just about every week.” So we are always in the process of learning to be parents.”
    —Joan Sheingold Ditzion, Dennie, and Palmer Wolf. Ourselves and Our Children, by Boston Women’s Health Book Collective, ch. 2 (1978)