Marion Bauer - Works

Works

(From the list of Bauer's works in New Grove unless otherwise indicated)

Orchestral Works:

  • Lament on an African Theme, Op. 20a, strings (1927)
  • Sun Splendor (?1936)
  • Symphonic Suite, Op. 34, strings (1940)
  • Piano Concerto “American Youth,” Op. 36, (1943) (arranged for 2 pianos 1946)
  • Symphony No. 1, Op. 45, (1947–1950)
  • Prelude and Fugue, Op. 43, flute and strings (1948 rev. 1949)

Chamber works:

  • Up the Ocklawaha, Op. 6, violin and piano (1913)
  • Sonata No. 1, Op. 14, violin and piano (1921 rev. 1922)
  • String Quartet, Op. 20 (1925)
  • Fantasia Quasi una Sonata, Op. 18, violin and piano (1925)
  • Suite (Duo), Op. 25, oboe and clarinet (1932)
  • Sonata, Op. 22, viola or clarinet and piano (1932)
  • Concertino, Op. 32b, oboe, clarinet, and string quartet or orchestra (1939 rev. 1943)
  • Trio Sonata No. 1, Op. 40, flue, cello, piano (1944)
  • Five Pieces (Patterns) Op. 41, string quartet (1946–1949, no. 2 arranged for double woodwind quintet and double bass—1948)
  • Aquarelle, Op. 39/2a, double woodwind quintet, 2 double basses (1948)
  • Trio sonata No. 2, Op. 47, flute, cello, piano (1951)
  • Woodwind Quintet, Op. 48, flue, oboe, clarinet, bassoon, horn (1956)

Keyboard works (for piano unless otherwise noted):

  • Three Impressions, Op. 10 (1918)
  • From the New Hampshire Woods, Op. 12 (1922)
  • Three Preludettes (1921)
  • Six Preludes, op. 15 (1922)
  • Turbulence, op. 17/2 (1924)
  • A Fancy (1927)
  • Sun Splendor, (?1929, arranged for 2 pianos ?1930)
  • Four Piano Pieces, op. 21 (1930)
  • Dance Sonata, op. 24 (1932)
  • Moods (Three Moods for Dance), op. 46 (1950/4)
  • Anagrams, op. 48 (1950)
  • Meditation and Toccata, organ (1951)

Choral works:

  • Wenn ich rufe an dich, Herr, mein Gott (Ps xxviii), op. 3, Soprano, women's chorus, organ/piano (1903)
  • Fair Daffodils (R. Herrick), women's chorus, keyboard (1914)
  • Orientale (E. Arnold), soprano, orchestra (1914, orchestrated 1932, rev. 1934)
  • The Lay of the Four Winds (C.Y. Rice), Op. 8, male chorus, piano (1915)
  • Three Noëls (L.I. Guiney, trad.), Op. 22, Nos. 1–3, women's chorus, piano (1930)
  • Here at High Morning (M. Lewis), Op. 27, male chorus (1931)
  • The Thinker, Op. 35, mixed chorus (1938)
  • China (B. Todrin), Op. 38, mixed chorus, orchestra/piano (1943)
  • At the New Year (K. Patchen), Op. 42, mixed chorus, piano (1947)
  • Death Spreads his Gentle Wings (E.P. Crain), mixed chorus (1949 rev. 1951)
  • A Foreigner Comes to Earth on Boston Common (H. Gregory), Op. 49, soprano, tenor, mixed chorus, piano (1953)

Other vocal works:

  • "Coyote Song" (J.S. Reed), baritone, piano (1912)
  • "Send Me a Dream" (Intuition) (E.F. Bauer), solo voice, piano (1912)
  • "Phillis" (C.R. Defresny), medium voice, piano (1914)
  • "By the Indus" (Rice), solo voice, piano (1917)
  • "My Faun" (O. Wilde), solo voice, piano (1919)
  • "Night in the Woods" (E.R. Sill), medium voice, piano (1921)
  • "The Epitaph of a Butterfly" (T. Walsh), solo voice, piano (1921)
  • "A Parable" (The Blade of Grass) (S. Crane), solo voice, piano (1922)
  • "Four Poems" (J.G. Fletcher), Op. 16, high voice, piano (1924)
  • "Faun Song," alto, chamber orchestra (1934)
  • "Four Songs (Suite)," soprano, string quartet (1935 rev. 1936)
  • "Songs in the Night" (M.M.H. Ayers), solo voice, piano (1943)
  • "The Harp" (E.C. Bailey), solo voice, piano (1947)
  • "Swan" (Bailey), solo voice, piano (1947)

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Famous quotes containing the word works:

    I meet him at every turn. He is more alive than ever he was. He has earned immortality. He is not confined to North Elba nor to Kansas. He is no longer working in secret. He works in public, and in the clearest light that shines on this land.
    Henry David Thoreau (1817–1862)

    It is the art of mankind to polish the world, and every one who works is scrubbing in some part.
    Henry David Thoreau (1817–1862)

    He never works and never bathes, and yet he appears well fed always.... Well, what does he live on then?
    Edward T. Lowe, and Frank Strayer. Sauer (William V. Mong)