Film Appearances
Year | Movie film | Role | Studio | Further information | ||
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1940s | ||||||
1947 | The Shocking Miss Pilgrim† | Telephone operator | 20th Century-Fox | |||
Dangerous Years† | Evie | |||||
1948 | Green Grass of Wyoming† | Square dance extra | ||||
You Were Meant for Me† | Lady-in-waiting | |||||
Scudda Hoo! Scudda Hay!† | Betty |
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Ladies of the Chorus | Peggy Martin | Columbia Pictures |
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1949 | Love Happy | Grunion's client | United Artists | |||
1950s | ||||||
1950 | A Ticket to Tomahawk | Clara | 20th Century-Fox | |||
The Asphalt Jungle | Angela Phinlay | Metro-Goldwyn-Mayer |
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The Fireball | Polly | 20th Century-Fox | ||||
All About Eve | Miss Claudia Caswell | |||||
Right Cross | Dusky Ledoux | |||||
1951 | Home Town Story | Iris Martin | ||||
As Young as You Feel | Harriet | |||||
Love Nest | Roberta Stevens | |||||
Let's Make It Legal | Joyce Mannering | |||||
1952 | Clash by Night | Peggy | ||||
We're Not Married! | Annabel Jones Norris | |||||
Don't Bother to Knock | Nell Forbes |
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Monkey Business | Miss Lois Laurel | |||||
O. Henry's Full House | Streetwalker |
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1953 | Niagara | Rose Loomis |
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Gentlemen Prefer Blondes | Lorelei Lee |
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How to Marry a Millionaire | Pola Debevoise | |||||
1954 | River of No Return | Kay Weston | ||||
There's No Business Like Show Business | Victoria Hoffman | |||||
1955 | The Seven Year Itch | The Girl |
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1956 | Bus Stop | Cherie |
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1957 | The Prince and the Showgirl | Elsie Marina | Warner Brothers |
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1959 | Some Like It Hot | Sugar Cane Kowalczyk | Metro-Goldwyn-Mayer |
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1960s | ||||||
1960 | Let's Make Love | Amanda Dell | 20th Century-Fox | |||
1961 | The Misfits | Roslyn Taber | United Artists |
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1962 | Something's Got to Give | Ellen Wagstaff Arden | 20th Century-Fox |
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† denotes an uncredited performance. |
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Read more about this topic: Marilyn Monroe Filmography
Famous quotes containing the words film and/or appearances:
“A good film script should be able to do completely without dialogue.”
—David Mamet (b. 1947)
“It is doubtless wise, when a reform is introduced, to try to persuade the British public that it is not a reform at all; but appearances must be kept up to some extent at least.”
—George Bernard Shaw (18561950)