Marilyn Cotlow - Opera Roles

Opera Roles

  • Adele, Die Fledermaus (Johann Strauss II)
  • Adina, L'elisir d'amore (Gaetano Donizetti)
  • Amina, La sonnambula (Vincenzo Bellini)
  • Blondchen, The Abduction from the Seraglio (Wolfgang Amadeus Mozart)
  • Constanze, The Abduction from the Seraglio (Wolfgang Amadeus Mozart)
  • Despina, Così fan tutte (Wolfgang Amadeus Mozart)
  • Frau Fluth, Die Lustigen Weiber von Windsor (Otto Nicolai)
  • Lakme, Lakme (Leo Delibes)
  • Lucy, The Telephone (Gian Carlo Menotti)
  • Madame Herz, Die Shauspieldirektor (Wolfgang Amadeus Mozart)
  • Madame Vogelsang, Die Shauspieldirektor (Wolfgang Amadeus Mozart)
  • Martha/Lady Harriet, Martha (Friedrich von Flotow)
  • Musetta, La Boheme (Giacomo Puccini)
  • Olympia, The Tales of Hoffmann (Jacques Offenbach)
  • Philine, Mignon (Ambroise Thomas)
  • The Queen of the Night, The Magic Flute (Wolfgang Amadeus Mozart)
  • Rosalinde, Die Fledermaus (Johann Strauss II)
  • Violetta, La Traviata (Giuseppi Verdi)

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Famous quotes containing the words opera and/or roles:

    “The real exertion in the case of an opera singer lies not so much in her singing as in her acting of a role, for nearly every modern opera makes great dramatic and physical demands.”
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    “There is a striking dichotomy between the behavior of many women in their lives at work and in their lives as mothers. Many of the same women who are battling stereotypes on the job, who are up against unspoken assumptions about the roles of men and women, seem to accept—and in their acceptance seem to reinforce—these roles at home with both their sons and their daughters.”
    —Ellen Lewis (20th century)