Models
The official busts of Marianne initially had anonymous features, appearing as women of the people. From 1969, however, they began to take on the features of famous women, starting with the actress Brigitte Bardot. She was followed by Mireille Mathieu (1978), Catherine Deneuve (1985), Inès de la Fressange (1989), Laetitia Casta (2000) and Évelyne Thomas (2003).
Laetitia Casta was named the symbolic representation of France's Republic in a vote, for the first time open to the country's more than 36,000 mayors, in October 1999. She won from a shortlist of five candidates, scoring 36% among the 15,000 voting mayors. The other candidates were Estelle Hallyday, Patricia Kaas, Daniela Lumbroso, Lætitia Milot and Nathalie Simon. Shortly thereafter a mini-scandal shook France, after it was publicised that Casta—the new icon of the Republic—had relocated to London. Although she claimed that her move was motivated by practical professional reasons, the magazine Le Point, among others, suggested that she was trying to escape taxes.
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Famous quotes containing the word models:
“French rhetorical models are too narrow for the English tradition. Most pernicious of French imports is the notion that there is no person behind a text. Is there anything more affected, aggressive, and relentlessly concrete than a Parisan intellectual behind his/her turgid text? The Parisian is a provincial when he pretends to speak for the universe.”
—Camille Paglia (b. 1947)
“The greatest and truest models for all orators ... is Demosthenes. One who has not studied deeply and constantly all the great speeches of the great Athenian, is not prepared to speak in public. Only as the constant companion of Demosthenes, Burke, Fox, Canning and Webster, can we hope to become orators.”
—Woodrow Wilson (1856–1924)
“Grandparents can be role models about areas that may not be significant to young children directly but that can teach them about patience and courage when we are ill, or handicapped by problems of aging. Our attitudes toward retirement, marriage, recreation, even our feelings about death and dying may make much more of an impression than we realize.”
—Eda Le Shan (20th century)