Promotional Singles and Other Charted Songs
| Year | Single | Peak chart positions | Album | |||
|---|---|---|---|---|---|---|
| US |
US R&B |
US Dig. |
KORint |
|||
| 1994 | "Miss You Most (At Christmas Time)" | — | — | — | — | Merry Christmas |
| "Jesus Born on This Day" | — | — | — | — | ||
| 1996 | "O Holy Night" | — | — | — | — | |
| 1999 | "Theme from Mahogany (Do You Know Where You're Going To)" | — | — | — | — | #1's |
| 2000 | "Things That U Do" (Jay-Z featuring Mariah Carey) |
— | 120 | — | — | Vol. 3... Life and Times of S. Carter |
| 2001 | "Last Night a DJ Saved My Life" | — | — | — | — | Glitter |
| "Lead the Way" | — | — | — | — | ||
| "There for Me" | — | — | — | — | "Never Too Far/Hero Medley" single | |
| 2002 | "The One" | — | — | — | 145 | Charmbracelet |
| "Irresistible (Westside Connection)" | — | 81 | — | — | ||
| 2003 | "What Would You Do" (Nate Dogg featuring Mariah Carey and Shade Sheist or Butch Cassidy) |
— | — | — | — | Damizza Presents, Mix Tape 1 |
| 2004 | "Miss You" | — | — | — | — | The Remixes |
| "U Like This (Megamix)" | — | — | — | — | ||
| 2005 | "Christmas (Baby Please Come Home)" | — | — | — | — | Merry Christmas |
| 2006 | "Mine Again" | — | 73 | — | — | The Emancipation of Mimi |
| "So Lonely" | — | 65* | — | — | ||
| "Fly Like a Bird" | — | 19 | — | — | ||
| 2008 | "Migrate" | 92 | 95* | 61 | — | E=MC² |
| "Side Effects" | — | 93 | — | — | ||
| "I'm That Chick" | — | 82 | — | — | ||
| 2009 | "Right to Dream" | — | — | — | — | Tennessee |
| "Betcha Gon' Know (The Prologue)" | — | — | 66 | — | Memoirs of an Imperfect Angel | |
| "Silent Night" | — | — | 67 | — | Merry Christmas | |
| 2010 | "100%" | — | — | — | — | AT&T TEAM USA Soundtrack (2010) |
| "Auld Lang Syne" | — | — | — | — | Merry Christmas II You | |
| 2012 | "When I Saw You" | — | — | — | 57 | Daydream |
| "—" denotes a title that did not chart. | ||||||
Read more about this topic: Mariah Carey Singles Discography
Famous quotes containing the word songs:
“Dylan is to me the perfect symbol of the anti-artist in our society. He is against everything—the last resort of someone who doesn’t really want to change the world.... Dylan’s songs accept the world as it is.”
—Ewan MacColl (1915–1989)