Works
- Op. 1, Sonatas, harpsichord/pianoforte, violin accompaniment, 1785, dedicated to Countess of Uxbridge.
- Op. 2, 3 Sonatas, harpsichord/pianoforte, c.1790.
- Op. 3, A Set of Glees with the Dirge in Cymbeline, ?1790.
- Op. 4, 2 Sonatas (No. 1 in F, No. 2 in F major), harpsichord/pianoforte, 1790.
- Op. 6, Concerto in E flat major, harpsichord/pianoforte, strings, ?1795.
- Op. 7, Sonata in C major, pianoforte, ?1796.
- Op. 13, 2 Sonatas, pianoforte, violin accompaniment, ?1801.
- - Waltz, pianoforte, ?1801
- - Divertimento, pianoforte, violin accompaniment, ?1811.
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“There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet; that saves on superfluities, and spends on essentials; that goes rusty, and educates the boy; that sells the horse, but builds the school; works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.”
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“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
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“All his works might well enough be embraced under the title of one of them, a good specimen brick, “On Heroes, Hero-Worship, and the Heroic in History.” Of this department he is the Chief Professor in the World’s University, and even leaves Plutarch behind.”
—Henry David Thoreau (1817–1862)