Maria Hester Park - Works

Works

  • Op. 1, Sonatas, harpsichord/pianoforte, violin accompaniment, 1785, dedicated to Countess of Uxbridge.
  • Op. 2, 3 Sonatas, harpsichord/pianoforte, c.1790.
  • Op. 3, A Set of Glees with the Dirge in Cymbeline, ?1790.
  • Op. 4, 2 Sonatas (No. 1 in F, No. 2 in F major), harpsichord/pianoforte, 1790.
  • Op. 6, Concerto in E flat major, harpsichord/pianoforte, strings, ?1795.
  • Op. 7, Sonata in C major, pianoforte, ?1796.
  • Op. 13, 2 Sonatas, pianoforte, violin accompaniment, ?1801.
  • - Waltz, pianoforte, ?1801
  • - Divertimento, pianoforte, violin accompaniment, ?1811.

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    We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
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