Works
- Op. 1, Sonatas, harpsichord/pianoforte, violin accompaniment, 1785, dedicated to Countess of Uxbridge.
- Op. 2, 3 Sonatas, harpsichord/pianoforte, c.1790.
- Op. 3, A Set of Glees with the Dirge in Cymbeline, ?1790.
- Op. 4, 2 Sonatas (No. 1 in F, No. 2 in F major), harpsichord/pianoforte, 1790.
- Op. 6, Concerto in E flat major, harpsichord/pianoforte, strings, ?1795.
- Op. 7, Sonata in C major, pianoforte, ?1796.
- Op. 13, 2 Sonatas, pianoforte, violin accompaniment, ?1801.
- - Waltz, pianoforte, ?1801
- - Divertimento, pianoforte, violin accompaniment, ?1811.
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“His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.”
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“Again we mistook a little rocky islet seen through the “drisk,” with some taller bare trunks or stumps on it, for the steamer with its smoke-pipes, but as it had not changed its position after half an hour, we were undeceived. So much do the works of man resemble the works of nature. A moose might mistake a steamer for a floating isle, and not be scared till he heard its puffing or its whistle.”
—Henry David Thoreau (1817–1862)