Film
- A Wall of Silence (1993) Directed by Lita Stantic
- Cautiva (2003). Directed by Gaston Biraben. Movie related to the "stolen babies" case
- Imagining Argentina (2003). Directed by Christopher Hampton.
- Garage Olimpo (1999). Directed by Marco Bechis.
- The Official Story (1985). Directed by Luis Puenzo. Movie related to the "stolen babies" case
- Kamchatka (2002). Directed by Marcelo Piñeyro.
- Los Rubios (2003). Directed by Albertina Carri
- Burnt Oranges (2005). Directed by Silvia Malagrino. Monica Flores Correa, writer. Sharon Karp, editor.
- The Disappeared (2007). Directed by Peter Sanders.
- Los Escuadrones De La Muerte (the Death Squadron, Escadrons de la mort), l'école française, by Marie-Monique Robin (book and film)
- Our Disappeared / Nuestros Desaparecidos (2008). Directed by Juan Mandelbaum.
- Night of the Pencils (1986) Directed by Héctor Olivera.
- Crónica de una fuga (2006). Directed by Israel Adrián Caetano. Movie related to the "Mansión Sere" case.
- Hijos/Figli - Children (2001). Directed by Marco Bechis
Read more about this topic: Maria Eugenia Sampallo
Famous quotes containing the word film:
“His education lay like a film of white oil on the black lake of his barbarian consciousness. For this reason, the things he said were hardly interesting at all. Only what he was.”
—D.H. (David Herbert)
“All the old supports going, gone, this man reaches out a hand to steady himself on a ledge of rough brick that is warm in the sun: his hand feeds him messages of solidity, but his mind messages of destruction, for this breathing substance, made of earth, will be a dance of atoms, he knows it, his intelligence tells him so: there will soon be war, he is in the middle of war, where he stands will be a waste, mounds of rubble, and this solid earthy substance will be a film of dust on ruins.”
—Doris Lessing (b. 1919)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)