Marguerite Sylva - Opera Roles

Opera Roles

Although Marguerite Sylva's basic voice type was mezzo-soprano, she often took on soprano roles as well. (Her roles in operetta and comic opera are also included in this list.)

  • Carmen (Carmen)
  • Cavalleria rusticana (Santuzza)
  • Erminie (Erminie)
  • Faust (Marguerite)
  • Gypsy Love (Zorika)
  • La bohème (Musetta (?))
  • La favorite (Léonore)
  • Le Chemineau (Catherine)
  • Le Point d'Argentan (Rose-Marie)
  • Les contes d'Hoffmann (Giulietta)
  • Manon (Manon)
  • Mignon (Mignon)
  • Mireille (Taven)
  • Pagliacci (Nedda)
  • The Fortune Teller (Mlle. Pompom)
  • The Princess Chic (Princess Chic of Normandy)
  • Tosca (Tosca)
  • Werther (Charlotte)

Read more about this topic:  Marguerite Sylva

Famous quotes containing the words opera and/or roles:

    If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.
    —W.H. (Wystan Hugh)

    It was always the work that was the gyroscope in my life. I don’t know who could have lived with me. As an architect you’re absolutely devoured. A woman’s cast in a lot of roles and a man isn’t. I couldn’t be an architect and be a wife and mother.
    Eleanore Kendall Pettersen (b. 1916)