Production
The scene when Homer is in Moe's Tavern is emulated from Thelma & Louise. Quimby dancing in a night club is in reference to the Kennedys. When Marge gets hit on in the bar, the guy who does not talk is a caricature of show runner David Mirkin. The old man that comes out when Marge is shooting his cans is a parody of Walter Brennan. Dan Castellaneta actually used a bullhorn to record his part when Homer was talking on one. The sunset shown when Marge and Ruth are at the cafe was airbrushed in, although the episode was done before computer animation was put into practice.
Read more about this topic: Marge On The Lam
Famous quotes containing the word production:
“It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.”
—John Dewey (1859–1952)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)