Hannah Arendt (2012) portrays an important segment in the true life of the German-Jewish academic, Hannah Arendt. In an interview with Thilo Wydra, von Trotta is asked if Arendt is similar to the women she has portrayed in past films. Von Trotta replies with an explanation about how real-life characters from her past films, Rosa Luxemburg and Die bleierne Zeit (Marianne and Juliane), fought and died for causes they found to be right: Rosa wanted more equality in her community, and Gudrun Ensslin (Marianne) wanted to revolutionize humanity. Von Trotta says, “Hannah Arendt is a woman who fits into my personal mold of historically important women that I have portrayed in my films. ‘I want to understand,’ was one of her guiding principles. I feel that applies to myself and my films as well. Hannah Arendt is set for theatrical release in October 2012.
Von Trotta, often featuring prominent female characters, has become the foremost female director working in Germany. Throughout her years of filmmaking, she has been able to address many points that are significant to women: “abortion, contraception, the situation of women at work, spousal abuse, and traditional female role.” She continues today with her work, unafraid to let her thoughts be heard and her artistic vision seen by the world. She is a Professor of Film at the European Graduate School in Saas-Fee and remains an important personality of German cinema.
Read more about this topic: Margarethe Von Trotta, Career
Famous quotes by hannah arendt:
“The ultimate end of human acts is eudaimonia, happiness in the sense of ‘living well,’ which all men desire; all acts are but different means chosen to arrive at it.”
—Hannah Arendt (1906–1975)
“Culture relates to objects and is a phenomenon of the world; entertainment relates to people and is a phenomenon of life.”
—Hannah Arendt (1906–1975)
“Poetry, whose material is language, is perhaps the most human and least worldly of the arts, the one in which the end product remains closest to the thought that inspired it.... Of all things of thought, poetry is the closest to thought, and a poem is less a thing than any other work of art ...”
—Hannah Arendt (1906–1975)
“It is a secret from nobody that the famous random event is most likely to arise from those parts of the world where the old adage ‘There is no alternative to victory’ retains a high degree of plausibility.”
—Hannah Arendt (1906–1975)
“The trouble with lying and deceiving is that their efficiency depends entirely upon a clear notion of the truth that the liar and deceiver wishes to hide. In this sense, truth, even if it does not prevail in public, possesses an ineradicable primacy over all falsehoods.”
—Hannah Arendt (1906–1975)