Career
In 1812, one of her copies of the head of a boy was awarded a medal by the Society of Arts, who awarded her another medal in 1813, and a gold medal in 1814. She went to London in 1814, and soon established her reputation as a fashionable portrait painter. She exhibited a portrait of Lord Folkestone at the Royal Academy in 1814, and a picture entitled ‘The Fortune Teller’ at the British Institution. She exhibited regularly at the Royal Academy between 1818 and 1866. She also exhibited at the British Institution and at the Suffolk Street Gallery.
Of her Head of a Polish Jew, exhibited at the British Institution in 1823, a reviewer wrote: "It very rarely happens that a specimen of art like this is produced from the hand of a lady: Here are colour, light, strength and effect, and anatomical drawing". This painting was bought for 45 guineas by the Marquess of Stafford, one of the most influential art patrons of the day, who had previously bought her medal-winning painting of 1813.
Among her exhibited portraits were those of Sir H. Bunbury (1822), Lady Denbigh (1831), and Lady King (better known as Ada Lovelace (1835). Her last work was a portrait of Dr. Whewell. Three of her works are in the National Portrait Gallery, including portraits of her husband, Bonington and John Gibson, R.A.. There are also several 'leaving portraits' by her in the collection at Eton College. There is also one of her portraits at Frewen College, of Helen Louisa Frewen and her son Edward. Her "Portrait of a Lady" hangs in the Neill-Cochran House Museum in Austin, Texas.
Her portraits follow in the tradition of Lawrence, but Wood found them to be more fanciful and feminine character, particularly in her portraits of children.
Read more about this topic: Margaret Sarah Carpenter
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