Musical Career
Pallis studied music under Arnold Dolmetsch, the distinguished reviver of early English music, composer, and performer, and was considered “one of Dolmetsch's most devoted protégés”. Pallis soon discovered a love of early music—in particular chamber music of the sixteenth and seventeenth centuries—and for the viola da gamba. Even while climbing in the region of the Satlej-Ganges watershed, he and his musically-minded friends did not fail to bring their instruments.
Pallis taught viol at the Royal Academy of Music, and reconstituted The English Consort of Viols, an ensemble he had first formed in the 1930s. It was one of the first professional performing groups dedicated to the preservation of early English music. They released three records and made several concert tours in England and two tours to the United States.
According to the New York Times review, their Town Hall concert of April 1962 “was a solid musical delight”, the players having possessed “a rhythmic fluidity that endowed the music with elegance and dignity”. Pallis also published several compositions, primarily for the viol, and wrote on the viol’s history and its place in early English music.
The Royal Academy of Music, in recognition of a lifetime of contribution to the field of early music, awarded Pallis an Honorary Fellowship. At age eighty-nine his Nocturne de l’Ephemere was performed at the Queen Elizabeth Hall in London; his niece writes that “he was able to go on stage to accept the applause which he did with his customary modesty.” When he died he left unfinished an opera based on the life of Milarepa.
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