Production
According to the United States Geological Survey, U.S. dimension marble production in 2006 was 46,400 tons valued at $18.1 million, compared to 72,300 tons valued at $18.9 million in 2005. Crushed marble production (for aggregate and industrial uses) in 2006 was 11.8 million tons valued at $116 million, of which 6.5 million tons was finely ground calcium carbonate and the rest was construction aggregate. For comparison, 2005 crushed marble production was 7.76 million tons valued at $58.7 million, of which 4.8 million tons was finely ground calcium carbonate and the rest was construction aggregate. U.S. dimension marble demand is about 1.3 million tons. The DSAN World Demand for (finished) Marble Index has shown a growth of 12% annually for the 2000–2006 period, compared to 10.5% annually for the 2000–2005 period. The largest dimension marble application is tile.
Pakistan is one of the largest marble exporters of the world with exports totaling to around a 100,000 tonnes per annum. China is the chief importer of marble, specifically Pakistani marble, with imports amounting to more than 70,000 tonnes in a single calendar year.
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Famous quotes containing the word production:
“... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.”
—Jane Addams (1860–1935)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)