Map - Conventional Signs

Conventional Signs

The various features shown on a map are represented by conventional signs or symbols. For example, colors can be used to indicate a classification of roads. Those signs are usually explained in the margin of the map, or on a separately published characteristic sheet.

Some cartographers prefer to make the map cover practically the entire screen or sheet of paper, leaving no room "outside" the map for information about the map as a whole. These cartographers typically place such information in an otherwise "blank" region "inside" the map -- cartouche, map legend, title, compass rose, bar scale, etc. In particular, some maps contain smaller "sub-maps" in otherwise blank regions—often one at a much smaller scale showing the whole globe and where the whole map fits on that globe, and a few showing "regions of interest" at a larger scale in order to show details that wouldn't otherwise fit. Occasionally sub-maps use the same scale as the large map—a few maps of the contiguous United States include a sub-map to the same scale for each of the two non-contiguous states.

See also: Japanese map symbols

Read more about this topic:  Map

Famous quotes containing the words conventional and/or signs:

    The line that I am urging as today’s conventional wisdom is not a denial of consciousness. It is often called, with more reason, a repudiation of mind. It is indeed a repudiation of mind as a second substance, over and above body. It can be described less harshly as an identification of mind with some of the faculties, states, and activities of the body. Mental states and events are a special subclass of the states and events of the human or animal body.
    Willard Van Orman Quine (b. 1908)

    Among all the modernized aspects of the most luxurious of industries, the model, a vestige of voluptuous barbarianism, is like some plunder-laden prey. She is the object of unbridled regard, a living bait, the passive realization of an ideal.... No other female occupation contains such potent impulses to moral disintegration as this one, applying as it does the outward signs of riches to a poor and beautiful girl.
    Colette [Sidonie Gabrielle Colette] (1873–1954)