Manticore - Origin

Origin

The manticore myth was of Persian origin, where its name was "man-eater" (from early Middle Persian مارتیا martya "man" (as in human) and خوار xwar- "to eat"). The English term "manticore" was borrowed from Latin mantichora, itself derived from the Greek rendering of the Persian name, μαρτιχώρα, martichora. It passed into European folklore first through a remark by Ctesias, a Greek physician at the Persian court of King Artaxerxes II in the fourth century BC, in his notes on India ("Indika"), which circulated among Greek writers on natural history but have not survived. The Romanised Greek Pausanias, in his Description of Greece, recalled strange animals he had seen at Rome and commented,

The beast described by Ctesias in his Indian history, which he says is called martichora by the Indians and "man-eater" (androphagos) by the Greeks, I am inclined to think is the tiger. But that it has three rows of teeth along each jaw and spikes at the tip of its tail with which it defends itself at close quarters, while it hurls them like an archer's arrows at more distant enemies; all this is, I think, a false story that the Indians pass on from one to another owing to their excessive dread of the beast. (Description, xxi, 5)

Pliny the Elder did not share Pausanias' skepticism. He followed Aristotle's natural history by including the martichoras—mistranscribed as manticorus in his copy of Aristotle and thus passing into European languages—among his descriptions of animals in Naturalis Historia, c. 77 AD.

Later, in The Life of Apollonius of Tyana Greek writer Flavius Philostratus (c. 170–247) wrote:

And inasmuch as the following conversation also has been recorded by Damis as having been held upon this occasion with regard to the mythological animals and fountains and men met with in India, I must not leave it out, for there is much to be gained by neither believing nor yet disbelieving everything. Accordingly Apollonius asked the question, whether there was there an animal called the man-eater (martichoras); and Iarchas replied: "And what have you heard about the make of this animal ? For it is probable that there is some account given of its shape." "There are," replied Apollonius, "tall stories current which I cannot believe; for they say that the creature has four feet, and that his head resembles that of a man, but that in size it is comparable to a lion; while the tail of this animal puts out hairs a cubit long and sharp as thorns, which it shoots like arrows at those who hunt it."

Pliny's book was widely enjoyed and uncritically believed through the European Middle Ages, during which the manticore was sometimes illustrated in bestiaries. The manticore made a late appearance in heraldry, during the 16th century, and it influenced some Mannerist representations, as in Bronzino's allegory The Exposure of Luxury, (National Gallery, London)— but more often in the decorative schemes called "grotteschi"— of the sin of Fraud, conceived as a monstrous chimera with a beautiful woman's face, and in this way it passed by means of Cesare Ripa's Iconologia into the seventeenth and eighteenth century French conception of a sphinx.

A manticore features as medieval sixteenth century graffiti on the wall of North Cerney church in Gloucestershire; it was seen as an unholy hybrid of the zodiacal signs Leo, Scorpio and Aquarius