Career
Even when she was at school, Manju showed extra ordinary talent in dance, and won many awards. She was conferred Kalathilakam in Kerala Youth Festival for 2 years.
At the age of 17, she debut in the film Sakshyam (1995). Later at the age of 18, she acted in the movie Sallapam (1996), co-starring actor Dileep, which became a big hit. Since then, she acted in around 20 Malayalam movies over a span of three years, most of which have been hits. She has won numerous awards and critical acclaim and was considered to be the top heroine of her period. She is still one of the most loved actresses in Malayalam. She has not acted in any other languages in her career.
Her performance in the movie Kannezhuthi Pottum Thottu was extraordinary and won a special mention from the jury for National Film Awards. Her other popular films are Kanmadam and Aaraam Thampuran with Mohanlal, Ee Puzhayum Kadannu and Kudamattam with Dileep, Summer In Bethlahem, Pranayavarnangal, Pathram and Kaliyattam with Suresh Gopi, Irattakuttikalude Achan, Kaliveedu, Thooval Kottaram and Krishnagudiyil Oru Pranayakalathu with Jayaram. Her performances in these films won critical and commercial acclaim. She left the film field at the peak of her career.
She married actor Dileep. After her marriage with Dileep, she retired from the film industry. The last film in which she acted before retiring from industry was Pathram, co-starring Suresh Gopi.
In 2011, she appeared in the promotion event for the movie Gaddama alongside Samyuktha Varma. In 2012 October 24, she performed Kuchipudi in Guruvayur Sree Krishna Temple after a break of long years.
Read more about this topic: Manju Warrier
Famous quotes containing the word career:
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)