Manchester City Centre - History

History

Manchester evolved from the civilian vicus associated with the Roman fort of Mamucium, which was established c. AD 79 on a sandstone bluff near the confluence of the rivers Medlock and Irwell, in a position defensible from the Brigantes. Once the Romans had abandoned Britain, the focus of settlement in Manchester shifted to the confluence of the rivers Irwell and Irk. During the Dark Ages which followed – and persisted until the Norman Conquest – the settlement at Manchester was in the territory of several different petty kingdoms. In the Middle Ages, what is now the city centre was the township of Manchester.

Manchester Castle – a medieval fortification, probably taking the form of a ringwork – was located on a bluff where the rivers Irk and Irwell meet. The castle was first mentioned in 1184 and was recorded in 1215 as belonging to the barons of Manchester, the Grelley family. It has been described as "of no political or military importance". The Grelleys replaced the castle with a fortified manor house, which in turn was replaced by a college of priests (founded in 1421). In 1547 the college was dissolved and the property acquired by the Earl of Derby and early in the reign of King Charles II it was sold to the Governors who had been appointed in the will of Humphrey Chetham. By royal charter in 1665 Chetham's Hospital was established and eventually this became Chetham's School of Music.

Read more about this topic:  Manchester City Centre

Famous quotes containing the word history:

    When the coherence of the parts of a stone, or even that composition of parts which renders it extended; when these familiar objects, I say, are so inexplicable, and contain circumstances so repugnant and contradictory; with what assurance can we decide concerning the origin of worlds, or trace their history from eternity to eternity?
    David Hume (1711–1776)

    The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.
    Edgar Allan Poe (1809–1849)

    As History stands, it is a sort of Chinese Play, without end and without lesson.
    Henry Brooks Adams (1838–1918)