Man or Astro-man? and Mystery Science Theater 3000
They covered the Mystery Science Theater 3000 "love theme". It was released on Amazing Thrills! in 3-Dimension and later Destroy All Astromen! and was also performed live. MST3K creator Joel Hodgson joined them on stage to sing the theme at a show in 1996, and Joel's character on MST3K later claimed to have toured with Man or Astro-man? doing pyrotechnics for the band.
Man or Astro-man? recordings regularly feature audio samples taken from films riffed on MST3K (ex. The Leech Woman, It Conquered the World and Santa Claus) and the albums often make allusions to common themes and running jokes (ex. album credits for John Agar in Is It ... Man or Astroman? and Peter Graves and Richard Basehart in Destroy All Astromen!).
Man or Astro-man? guitarist Hayden Thais (Dexter X) and drummer Brian Teasley (Birdstuff) were also members of the "all-robot band" Servotron, which was named for MST3K robot character Tom Servo's namesake. A handbill for at least one concert have featured an image of the robot puppet.
Read more about this topic: Man Or Astro-man? Albums
Famous quotes containing the words man, mystery, science and/or theater:
““All that glistens is not gold,
Often have you heard that told;
Many a man his life hath sold
But my outside to behold.
Gilded tombs do worms infold.
Had you been as wise as bold,
Young in limbs, in judgment old,
Your answer had not been inscrolled.
Fare you well, your suit is cold.””
—William Shakespeare (1564–1616)
“Married life requires shared mystery even when all the facts are known.”
—Richard Ford (b. 1944)
“What happened at Hiroshima was not only that a scientific breakthrough ... had occurred and that a great part of the population of a city had been burned to death, but that the problem of the relation of the triumphs of modern science to the human purposes of man had been explicitly defined.”
—Archibald MacLeish (1892–1982)
“The Miss America contest is ... the most perfectly rendered theater in our culture, for it so perfectly captures what we yearn for: a low-class ritual, a polished restatement of vulgarity, that wants to open the door to high-class respectability by way of plain middle-class anxiety and ambition.”
—Gerald Early (b. 1952)