Man Is The Bastard - Works

Works

In stark contrast to other punk musicians, Man Is the Bastard made the move of displacing the electric guitar from its long reign as the primary instrument of punk aggression. In turn, they made room within their revolutionary spirit for progressive bass chords and scales, for industrial noise (field recordings and power electronics), and for member Henry Barnes’ (Amps for Christ) homemade guitar reconfigurations.

The bass-heavy configuration was found in earlier projects by founding members Joel Connell, Eric Wood, & Shawn Connell. Their thematic emphasis on the primitive and mythological would continue in Man Is the Bastard records such as “Sum of the Men” and the split album with Bleeding Rectum. The fullest expression of these concerns appeared with the 7 inch EP entitled “Backward Species,” which combined an almost anthropological/New Historicist approach to humanity’s violent practices. Songs such as “Koro Treatment” and “Heretic’s Fork” are exemplary.

Artistically most of their releases had a similar design, with their trademark skull on both sides of the words Man Is The Bastard with the release title underneath in quotations. Frequently the liner notes would be just as simplistic. When they did have artwork it was often stark and brutal with a barebones layout.

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