Mame (musical) - Musical Numbers

Musical Numbers

Act I
  • Overture − Orchestra
  • "St. Bridget" − Young Patrick and Agnes
  • "It's Today" − Mame and All
  • "Open a New Window" − Mame and All
  • "The Moon Song" (The Man in the Moon) − Vera, Mame and All
  • "My Best Girl" − Young Patrick and Mame
  • "We Need a Little Christmas" − Mame, Young Patrick, Agnes, Ito and Beauregard
  • "The Fox Hunt" − Uncle Jeff, Young Patrick, Cousin Fan, Mother Burnside and Cousins
  • "Mame" − Beauregard Jackson Picket Burnside and All
  • Finale Act I ("My Best Girl" and "Mame") − Young Patrick and All
Act II
  • Entr'acte − Orchestra
  • "Opening Act Two" (The Letter) − Young Patrick and Older Patrick
  • "My Best Girl (reprise)" − Older Patrick
  • "Bosom Buddies" − Mame and Vera
  • "Gooch's Song" − Agnes Gooch
  • "That's How Young I Feel" − Mame and All
  • "If He Walked Into My Life" − Mame
  • "It's Today" (reprise) − Mame and All
  • "My Best Girl" (reprise) − Older Patrick
  • Finale Act II ("Open A New Window") − All
  • Curtain Calls ("It's Today", "We Need a Little Christmas" and "Mame") − All

In 1966, Bobby Darin, Louis Armstrong, and Herb Alpert all charted in the United States and Canada with their cover records of the musical's title song. Eydie Gormé had a huge success with her recording of "If He Walked into My Life", for which she received a 1967 Grammy Award for Best Female Vocal Performance. "We Need a Little Christmas" is a well known holiday tune and can be heard in several Disney Christmas parades.

The cut song "Camouflage", between Mame Dennis and Vera Charles before the discussion of whether Patrick could stay with Mame, was released on the 1999 CD release, performed by Jerry Herman and Alice Borden.

Read more about this topic:  Mame (musical)

Famous quotes containing the words musical and/or numbers:

    Fifty million Frenchmen can’t be wrong.
    —Anonymous. Popular saying.

    Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.

    Our religion vulgarly stands on numbers of believers. Whenever the appeal is made—no matter how indirectly—to numbers, proclamation is then and there made, that religion is not. He that finds God a sweet, enveloping presence, who shall dare to come in?
    Ralph Waldo Emerson (1803–1882)