Malone Dies - Plot Summary

Plot Summary

Malone is an old man who lies naked in bed in either asylum or hospital--he is not sure which. Most of his personal effects have been taken from him, though he has retained some, notably his exercise book, brimless hat, and pencil. He alternates between writing his own situation and that of a boy named Sapo. When he reaches the point in the story where Sapo becomes a man, he changes Sapo's name to Macmann, finding Sapo a ludicrous name. Not long after, Malone admits to having killed six men, but seems to think its not a big deal—particularly the last, a total stranger whom he cut across the neck with a razor.

Eventually, Macmann falls over in mud and is taken to an institution called St. John's of God. There he is provided with an attendant nurse—an elderly, thick-lipped woman named Moll, with crosses of bone on either ear representing the two thieves crucified with Jesus on Good Friday, and a crucifix carved on her tooth representing Jesus. The two eventually begin a stumbling sexual affair, but after a while she does not return, and he learns that she has died.

The new nurse is a man named Lemuel, and there is an animosity between the two. Macmann (and sometimes Malone drifts into the first-person) has an issue with a stick that he uses to reach things and Lemuel takes it away.

At the end of the novel, Lemuel is assigned to take his group of five inmates on a trip to a nearby island on the charitable dime of a Lady Pedal. His five inmates are Macmann and four others. They are described by Malone as: a young man, the Saxon ("though he was far from being any such thing"), a small thin man with an umbrella, and a "misshapen giant, bearded." Lemuel requests "excursion soup"--the regularly served broth but with a piece of fat bacon to support the constitution—from the chef at the institution, though after receiving the soup he sucks each piece of bacon of its juice and fat before depositing it back into the soup. Lemuel takes his group out on the terrace where they are greeted by a waggonette driven by a coachman and Lady Pedal, along with two colossi in sailor suits named Ernest and Maurice.

They leave the grounds of St. John's and take a boat to the island to picnic and see Druid remains. Lady Pedal tells Maurice to stay by the dinghy while she and Ernest disembark the boat to look for a picnicking site. The bearded giant refuses to leave the boat, leaving no room for the Saxon to get off in turn. When Lady Pedal and Ernest are out of sight, Lemuel kills Maurice from behind with a hatchet. Ernest comes back for them and Lemuel kills him, too, to the delight of the Saxon. When Lady Pedal sees this, she faints, falls, and breaks a bone in the process. Malone as narrator is not sure which bone, though he ventures Lady Pedal broke her hip. Lemuel makes the others get back in the boat. It is now night and the six float far out in the bay. The novel closes with an image of Lemuel holding his bloodied hatchet up. Malone writes that Lemuel will not hit anyone with it or anything else anymore, while the final sentence breaks into semantically open-ended fragments:

Lemuel is in charge, he raises his hatchet on which the blood will never dry, but not to hit anyone, he will not hit anyone, he will not hit anyone any more, he will not touch anyone any more, either with it or with it or with it or with or

or with it or with his hammer or with his stick or with his fist or in thought in dream I mean never he will never

or with his pencil or with his stick or

or light light I mean

never there he will never

never anything

there

any more

—Beckett, Malone Dies

The majority of the book's text however is observational and deals with the minutiae of Malone's existence in his cell, like dropping his pencil or his dwindling amount of writing lead. Thoughts of riding down the stairs in his bed, philosophical observations and conjectures constitute large blocks of text and are written as tangential to the story that Malone is set upon telling. Several times he refers to a list of previous Beckett protagonists: Murphy, Mercier and Camier, Molloy, and Moran.

The prose of Samuel Beckett
Novels:
  • Dream of Fair to Middling Women
  • Murphy
  • Watt
  • Mercier and Camier
  • Molloy
  • Malone Dies
  • The Unnamable
  • How It Is
Short stories:
  • “Assumption”
  • “Sedendo et Quiescendo”
  • “Text”
  • “A Case in a Thousand”
  • “First Love”
  • “The Expelled”
  • “The Calmative”
  • “The End”
  • “Texts for Nothing”
  • “From an Abandoned Work”
  • “The Image”
  • “All Strange Away”
  • “Imagination Dead Imagine”
  • “Enough”
  • “Ping”
  • “Lessness”
  • “The Lost Ones”
  • “Fizzles”
  • “Heard in the Dark 1”
  • “Heard in the Dark 2”
  • “One Evening”
  • “As the story was told”
  • “The Cliff”
  • “neither”
  • “Stirrings Still”
  • “Company”
  • “Ill Seen Ill Said”
  • “Worstward Ho”
Short story collections:
  • More Pricks Than Kicks
  • Stories and Texts for Nothing
  • The Complete Short Prose 1929-1989
Non-fiction:
  • Three Dialogues (with Georges Duthuit and Jacques Putnam)
  • Disjecta
  • Proust
  • "The Capital of the Ruins"

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