Style and Design
The predominant feature of the Cathedral-Basilica is the semi-circular arch in its lower part that. The ornamentation is moderate; the massing is well balanced and the symmetrical movement of the columns and openings are almost Neo-Classic. The facade is divided by single and coupled Doric columns in three segments, and is dominated by large semi-circular arches of the openings in the first level, and the smaller ones superimposed on the second level which are alternately semicircular and segmented. The triangular pediment strongly outlined by heavily projecting broken cornices is topped by a sort of acroteria in the center and torch-like finials. A statued niche flanked by fluted pilasters topped by a segmented canopy crowns the silted frame of the center window. Triglypha decorate the frieze and a stylized Augustinian emblem decorates the center of pediment. The over-all impression is one of the neatness of line, counterbalanced by the dramatic circular of the openings.
During old times, the Malolos Cathedral's bell tower was a topped with Triangular Cone, it may be seen on the photos exist mostly on war times in 1898-1899. In 1970, during the major renovation of the Cathedral, the triangular cone at the top of the bell tower was removed and replaced by a concrete statue of the Immaculate Conception, donated by Amparo Bautista. The said statue still exists as of the present time.
Previously, the cathedral only had one door at the center. It was made into three doors in 1950's
Read more about this topic: Malolos Cathedral
Famous quotes containing the words style and, style and/or design:
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)
“I am so tired of taking to others
translating my life for the deaf, the blind,
the “I really want to know what your life is like without giving up any of my privileges
to live it” white women
the “I want to live my white life with Third World women’s style and keep my skin
class privileges” dykes”
—Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)
“I begin with a design for a hearse.
For Christ’s sake not black—
nor white either—and not polished!
Let it be weathered—like a farm wagon—”
—William Carlos Williams (1883–1963)