Magic
Magic in the Malazan series is accomplished by tapping the power of a Warren or Hold, from within the body of the mage. Effects common to most Warrens include enchantment of objects (investment), large-scale blasts and travel through Warren across great distances in a short period of time. Only a minority of humans can access Warrens, usually tapping and working with a single one, with High Mages accessing two or three. Two notable exceptions to this are the High Mage Quick Ben who can access seven at any single time out of his repertoire of twelve (due to his killing of and subsequent merging with the souls of eleven other sorcerers), and Beak who can access all the warrens (although he seems to be mentally handicapped). Certain Elder races have access to racial Warrens, that seem to be significantly more powerful and cannot be blocked by the magic-deadening ore otataral.
Alternatively a cruder, but sometimes more powerful, form of magic can be harnessed by using or capturing natural spirits of the land, elements, people or animals. A form of this is also evident when the power of an Ascendant or God is called upon or channeled, although in most cases this is also linked with whatever warren that being is associated with.
Read more about this topic: Malazan Book Of The Fallen
Famous quotes containing the word magic:
“The magic of photography is metaphysical. What you see in the photograph isn’t what you saw at the time. The real skill of photography is organised visual lying.”
—Terence Donovan (b. 1936)
“We think of religion as the symbolic expression of our highest moral ideals; we think of magic as a crude aggregate of superstitions. Religious belief seems to become mere superstitious credulity if we admit any relationship with magic. On the other hand our anthropological and ethnographical material makes it extremely difficult to separate the two fields.”
—Ernst Cassirer (1874–1945)
“Thou treacherous, base deserter of my flame,
False to my passion, fatal to my fame,
Through what mistaken magic dost thou prove
So true to lewdness, so untrue to love?”
—John Wilmot, Earl Of Rochester (1647–1680)