Malay Roy Choudhury - Confessional Poetry

Confessional Poetry

With his poem Prachanda Baidyutik Chhutar or Stark Electric Jesus written in 1963, which was the reason why the Hungryalists had to face administrative wrath, Malay Roy Choudhury introduced Confessional poetry in Bengali literature. The poem defied the forms of lyric poetry (sonnet, villanel, minnesang, pastourelle, canzone, stew etc.) as well as Bengali meters (Matrabritto and Aksharbritto), retaining, however, its content vehicle, expressing subjective personal feelings. Roy Choudhury's formlessness is different from Pindar and Rilke. Malay's better known poem is Jakham which has been translated into other languages.

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    Herein is the explanation of the analogies, which exist in all the arts. They are the re-appearance of one mind, working in many materials to many temporary ends. Raphael paints wisdom, Handel sings it, Phidias carves it, Shakspeare writes it, Wren builds it, Columbus sails it, Luther preaches it, Washington arms it, Watt mechanizes it. Painting was called “silent poetry,” and poetry “speaking painting.” The laws of each art are convertible into the laws of every other.
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