Production
A daughter to an employee at Nickelodeon was a fan of Making Fiends. She showed the website to other Nickelodeon employees. They contacted Winfrey to see if she was interested in televising the series.
In early 2004, Nick started negotiations with Winfrey to develop the series into a half-hour television program. During the long negotiation and development period, Winfrey continued to create new web episodes independently, and sell related merchandise in her own online "souvenir shop". In 2006, Nickelodeon began distributing many of the web cartoons as streaming video on their own TurboNick platform, and later as podcasts available on iTunes.
The series was picked up for a first season of television episodes in late 2006. Production began in January 2007 and the show started airing in 2008. The show was set to premiere on Nickelodeon, but Nickelodeon decided to cancel its plans for a broadcast on their parent channel, and instead gave this new series to its sister channel Nicktoons (along with fellow Nicktoon, "Random! Cartoons").
The series premiered on October 4, 2008. The show aired on Saturdays and Sundays at 11:30am ET/8:30am PT and 9:30pm ET/6:30pm PT. It received generally favorable reviews by critics. Making Fiends carries a rating of TV-Y7 (FV (fantasy violence for some episodes.). The series aired in the US, Australia, New Zealand, and in the Netherlands.
The writing team of Making Fiends consist of only four people; Winfrey, Peter Merryman, Madellaine Paxson, and Matt Negrete. In the show's studio, there is a special "thinking couch" to come up with new ideas.
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Famous quotes containing the word production:
“... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.”
—Emma Goldman (1869–1940)
“In the production of the necessaries of life Nature is ready enough to assist man.”
—Henry David Thoreau (1817–1862)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)