Tom King Kidnap Plot September 2006
In September 2006, Cain Dingle and Sadie King plotted to kidnap millionaire Tom King and demand a £2.5 million ransom. They did carry out the plot but Cain discovered that Sadie had paid for his girlfriend, Jasmine Thomas, to have an abortion privately and kidnapped her and Tom. He took them to a deserted barn and threatened them with a gun. The kidnap did follow a few twists and turns involving a car explosion, numerous theft of cars after Cain blew up his old car, a police car and helicopter chase, crashing into a flooded quarry only to find the car empty. He shot Sadie and demanded that his sister Chas be the one to bring the money. She did and soon it was revealed that Sadie was alive and that she was working with him. However, when it came to the escape, Cain left Sadie stranded. They both left the soap afterwards. The hour-long episode shown on Tuesday 19 September attracted around 9 million viewers, leaving rival soap EastEnders with just 4.8 million viewers. The culmintation of the storyline on 22 September attracted 8.7 million viewers.
Read more about this topic: Major Emmerdale Storylines
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“Come dame or maid, be not afraid,
Poor Tom will injure nothing.”
—Unknown. Tom o’ Bedlam’s Song (l. 11–12)
“When the Prince of Piedmont [later Charles Emmanuel IV, King of Sardinia] was seven years old, his preceptor instructing him in mythology told him all the vices were enclosed in Pandora’s box. “What! all!” said the Prince. “Yes, all.” “No,” said the Prince; “curiosity must have been without.””
—Horace Walpole (1717–1797)
“The westward march has stopped, upon the final plains of the Pacific; and now the plot thickens ... with the change, the pause, the settlement, our people draw into closer groups, stand face to face, to know each other and be known.”
—Woodrow Wilson (1856–1924)
“Any one who knows what the worth of family affection is among the lower classes, and who has seen the array of little portraits stuck over a labourer’s fireplace ... will perhaps feel with me that in counteracting the tendencies, social and industrial, which every day are sapping the healthier family affections, the sixpenny photograph is doing more for the poor than all the philanthropists in the world.”
—Macmillan’s Magazine (London, September 1871)