Major Dundee - Reception

Reception

Upon its theatrical release, Major Dundee received generally negative reviews while acknowledging the film's potential. In his review in The New York Times, Eugene Archer wrote that the film had "an interesting cast, a superior visual texture, unexpected bits of character revelation and a choppy continuity that finally negates its impact." He praised Peckinpah for "seeking a fresh approach to the Western" and acknowledged that the director "displays a fine eye for panoramic vistas." Archer concludes:

Besides Mr. Heston's strong playing, there is good work by Jim Hutton, Mario Adorf and Michael Anderson Jr. as assorted troopers. Action abounds, and the pace is lively. The outdoor vistas are better than the intimate scenes, which are frequently marred by clumsy background processes, but Mr. Peckinpah does have an eye. He has a lot to learn, but his education should be worth paying for.

Many of the flaws identified by film critics in 1965 were addressed in the 2005 restored version, and film reviews of the DVD are much more positive. In his review in Alt Film Guide, Dan Schneider called Major Dundee "a near-great film that has a checkered history" and "likely the most gritty and realistic Western ever made."

On the review aggregator web site Rotten Tomatoes, the film holds a near-perfect 97% positive rating from top film critics based on 30 reviews, and a 60% positive audience rating based on 3,177 ratings.

Read more about this topic:  Major Dundee

Famous quotes containing the word reception:

    Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.
    Rémy De Gourmont (1858–1915)

    To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.
    Ralph Waldo Emerson (1803–1882)

    To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.
    Lewis H. Lapham (b. 1935)