Characters
All of the tenants' names involve a pun on the character's room number:
| Number | Character | Kanji of family name and meaning |
|---|---|---|
| 0 | Kyoko Otonashi (née Chigusa) | 音無 (literally means "soundless") |
| 1(一) | The Ichinose Family | 一の瀬 (first ford) |
| 2(二) | Nozomu Nikaido | 二階堂 (two-storey temple) |
| 3(三) | Shun Mitaka * | 三鷹 (three hawks) |
| 4(四) | Mr. Yotsuya | 四谷 (four valleys) |
| 5(五) | Yusaku Godai | 五代 (five generations) |
| 6(六) | Akemi Roppongi | 六本木 (six trees) |
| 7(七) | Kozue Nanao * | 七尾 (seven ridges; the second character is "tail" but "Nanao" itself is a name from Ishikawa Prefecture) |
| 8(八) | Ibuki Yagami * | 八神 (eight gods) |
| 9(九) | Asuna Kujo * | 九条 (Ninth Avenue; the name is an old Japanese aristocratic name) |
| 1000(千) | Mr. & Mrs. Chigusa (Kyoko's parents) | 千草 (thousand grasses) |
(* Not residents of Ikkoku-kan.)
In the English version, main characters tend to refer to and address each other informally with their given names, with the exception of Mr. Yotsuya. Yusaku, while usually referring to Kyoko by her given name, almost always addresses her with her job title of "manager". In the Japanese original, Yusaku addresses Kyoko as "kanrinin-san," meaning manager.
Read more about this topic: Maison Ikkoku
Famous quotes containing the word characters:
“The naturalistic literature of this country has reached such a state that no family of characters is considered true to life which does not include at least two hypochondriacs, one sadist, and one old man who spills food down the front of his vest.”
—Robert Benchley (1889–1945)
“His leanings were strictly lyrical, descriptions of nature and emotions came to him with surprising facility, but on the other hand he had a lot of trouble with routine items, such as, for instance, the opening and closing of doors, or shaking hands when there were numerous characters in a room, and one person or two persons saluted many people.”
—Vladimir Nabokov (1899–1977)
“Animals are stylized characters in a kind of old saga—stylized because even the most acute of them have little leeway as they play out their parts.”
—Edward Hoagland (b. 1932)