Characters
All of the tenants' names involve a pun on the character's room number:
| Number | Character | Kanji of family name and meaning |
|---|---|---|
| 0 | Kyoko Otonashi (née Chigusa) | 音無 (literally means "soundless") |
| 1(一) | The Ichinose Family | 一の瀬 (first ford) |
| 2(二) | Nozomu Nikaido | 二階堂 (two-storey temple) |
| 3(三) | Shun Mitaka * | 三鷹 (three hawks) |
| 4(四) | Mr. Yotsuya | 四谷 (four valleys) |
| 5(五) | Yusaku Godai | 五代 (five generations) |
| 6(六) | Akemi Roppongi | 六本木 (six trees) |
| 7(七) | Kozue Nanao * | 七尾 (seven ridges; the second character is "tail" but "Nanao" itself is a name from Ishikawa Prefecture) |
| 8(八) | Ibuki Yagami * | 八神 (eight gods) |
| 9(九) | Asuna Kujo * | 九条 (Ninth Avenue; the name is an old Japanese aristocratic name) |
| 1000(千) | Mr. & Mrs. Chigusa (Kyoko's parents) | 千草 (thousand grasses) |
(* Not residents of Ikkoku-kan.)
In the English version, main characters tend to refer to and address each other informally with their given names, with the exception of Mr. Yotsuya. Yusaku, while usually referring to Kyoko by her given name, almost always addresses her with her job title of "manager". In the Japanese original, Yusaku addresses Kyoko as "kanrinin-san," meaning manager.
Read more about this topic: Maison Ikkoku
Famous quotes containing the word characters:
“His leanings were strictly lyrical, descriptions of nature and emotions came to him with surprising facility, but on the other hand he had a lot of trouble with routine items, such as, for instance, the opening and closing of doors, or shaking hands when there were numerous characters in a room, and one person or two persons saluted many people.”
—Vladimir Nabokov (1899–1977)
“Trial. A formal inquiry designed to prove and put upon record the blameless characters of judges, advocates and jurors.”
—Ambrose Bierce (1842–1914)
“A criminal trial is like a Russian novel: it starts with exasperating slowness as the characters are introduced to a jury, then there are complications in the form of minor witnesses, the protagonist finally appears and contradictions arise to produce drama, and finally as both jury and spectators grow weary and confused the pace quickens, reaching its climax in passionate final argument.”
—Clifford Irving (b. 1930)