The Song
Maid of Orleans had originally been written by Andy McCluskey on 30 May 1981, the 550th anniversary of Joan of Arc's death. The song is in 6/8 time, giving it a waltz-like style. With only eight lines of text it is almost an instrumental. The main theme is a synthesized bagpipe tune (played on the Mellotron --- consisting of the "female choir" and the "3-Violins" presets). The intro is made of strange noises and was added later:
| “ | The intro was a problem for radio and we did do edited versions where it was shortened.
The idea came about because we actually had the song recorded but thought the track started oddly and needed something else to announce its arrival. At the time of A+M we were making a lot of music that was ambient soundscapes. The natural thing was to give the song an intro that set up the feel for the main themes to resolve out of the noises. It's not meant to "mean" anything specific, just set up a feeling to let the track grow out of the strange noises. I think that it worked well! BTW.. for the sound anoraks...most of the noises are melotron vocal sounds slowed down/sped up and greatly distorted simply by completely overdriving the old Helios desk in The Manor Studio. Pink noise and snare drum in lots of reverb. |
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Read more about this topic: Maid Of Orleans (The Waltz Joan Of Arc)
Famous quotes containing the word song:
“Deep in the sun-searched growths the dragonfly
Hangs like a blue thread loosened from the sky—
So this winged hour is dropped to us from above.
Oh! clasp we to our hearts, for deathless dower,
This close-companioned inarticulate hour
When twofold silence was the song of love.”
—Dante Gabriel Rossetti (1828–1882)
“Commercial to the core, Elvis was the kind of singer dear to the heart of the music business. For him to sing a song was to sell a song. His G clef was a dollar sign.”
—Albert Goldman (b. 1927)