Magna Science Adventure Centre is an educational visitor attraction, appealing primarily to children. It is located in a disused steel mill in the Templeborough district of Rotherham, England. The site is formerly home to the Steel, Peech and Tozer steel works (also known as Steelos). In 50 AD it was the site of the Templeborough Roman fort.
The principal exhibits are divided into five pavilions: Earth, Air, Fire, Water and Power (the last one is very small). There is also a large outdoor play area and water play area.
The site, often used for staging events, conferences and gigs, won the Enjoy England Gold Award for Business Tourism in 2006 as well as many other awards for the high quality of product.
The creative, development, funding and building process was led by Stephen Feber, who selected the design team, led by Wilkinson Eyre, architects and Event Communications, exhibition designers. Tim Caulton directed exhibition development, introducing spectacular exhibits that bridged science and art, such as Ned Kahn's fire tornado, "The Big Melt" (described below) and works by San Francisco 'artist in electricity' Cork Marcheschi. Magna's exhibitions won the Best Exhibition category at the 2002 Design Week Awards.
The Magna Science Adventure Centre won the 2001 RIBA Stirling Prize for its architects Wilkinson Eyre Architects, Mott MacDonald and Buro Happold's innovative use of space in the old steelworks. Visitors are often as impressed by the building itself as the attractions contained within it.
Read more about Magna Science Adventure Centre: "The Big Melt", Real Ale Festival
Famous quotes containing the words science, adventure and/or centre:
“The science of constructing a commonwealth, or renovating it, or reforming it, is, like every other experimental science, not to be taught a priori. Nor is it a short experience that can instruct us in that practical science, because the real effects of moral causes are not always immediate.”
—Edmund Burke (17291797)
“Typically, the hero of the fairy tale achieves a domestic, microcosmic triumph, and the hero of myth a world-historical, macrocosmic triumph. Whereas the formerthe youngest or despised child who becomes the master of extraordinary powersprevails over his personal oppressors, the latter brings back from his adventure the means for the regeneration of his society as a whole.”
—Joseph Campbell (19041987)
“In the centre of his cage
The pacing animal
Surveys the jungle cove
And slicks his slithering wiles
To turn the venereal awl
In the livid wound of love.”
—Allen Tate (18991979)