Mae Questel - Early Career and Betty Boop

Early Career and Betty Boop

Born as Mae Kwestel in New York City to Simon and Freida Kwestel, she attended Morris High School and studied acting at the American Theatre Wing and with the Theatre Guild. Although she wanted to be an entertainer, her parents, who were Orthodox Jews, actively discouraged her from doing so, at one time forcing her to leave the Theatre Guild school.

Nevertheless, at the age of 17 Questel won a talent contest held at the RKO Fordham Theatre in the Bronx by imitating Helen Kane. She was signed by an agent and began performing in vaudeville as an impressionist. Billed as "Mae Questel - Personality Singer of Personality Songs," she did Fanny Brice, Marlene Dietrich, Eddie Cantor, Mae West, Maurice Chevalier and others, as well as doing animal imitations. She was seen by animator Max Fleischer, who was looking for an actress to provide the voice for his Betty Boop character. Questel's "Boop-boop-a-doop" routine, done in a style similar to that of the song's originator, Helen Kane, while at the same time evoking something of the naughty allure of film star Clara Bow, was exactly what Fleischer wanted, and he hired Questel in 1931. She began as one of a number of actresses providing the character's voice, but soon took over the role exclusively.

From 1931 until 1939, Questel provided the voice of Betty Boop in more than 150 animated shorts, the longest run for any actress doing that voice. During the 1930s she released a recording of "On the Good Ship Lollipop" which sold more than two million copies. In 1988, she reprised the role in a cameo appearance in Who Framed Roger Rabbit.

Along with her voice work, and occasional on-camera appearance in Paramount shorts, Questel also attended Columbia University, where she studied drama.

Read more about this topic:  Mae Questel

Famous quotes containing the words early, career and/or betty:

    Men and women are not born inconstant: they are made so by their early amorous experiences.
    Andre Maurois (1885–1967)

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)

    He could jazz up the map-reading class by having a full-size color photograph of Betty Grable in a bathing suit, with a co- ordinate grid system laid over it. The instructor could point to different parts of her and say, “Give me the co-ordinates.”... The Major could see every unit in the Army using his idea.... Hot dog!
    Norman Mailer (b. 1923)