Names
The history of the painting is difficult to track for many reasons, one of them being the various names for the painting, which tell the history, or the perceived history, of the original Raphael painting. This work is one of the most copied works of Raphael with over one hundred known copies.
- During the time at Santa Maria del Popolo, it was known as the Madonna del Popolo, or described as the Holy Family.
- It is sometimes called Madonna del Velo or Madonna of the Veil but not consistently and those names has also been used for the similar painting, the Madonna with the Blue Diadem.
- It is most frequently called Madonna of Loreto or Madonna di Loreto, but that name is erroneous because the original painting was not at Loreto.
- In Chantilly, the painting is called La Madona de Lorette, French for the Madonna of Loreto.
Read more about this topic: Madonna Of Loreto (Raphael)
Famous quotes containing the word names:
“And even my sense of identity was wrapped in a namelessness often hard to penetrate, as we have just seen I think. And so on for all the other things which made merry with my senses. Yes, even then, when already all was fading, waves and particles, there could be no things but nameless things, no names but thingless names. I say that now, but after all what do I know now about then, now when the icy words hail down upon me, the icy meanings, and the world dies too, foully named.”
—Samuel Beckett (1906–1989)
“I do not see why, since America and her autumn woods have been discovered, our leaves should not compete with the precious stones in giving names to colors; and, indeed, I believe that in course of time the names of some of our trees and shrubs, as well as flowers, will get into our popular chromatic nomenclature.”
—Henry David Thoreau (1817–1862)
“The instincts of merry England lingered on here with exceptional vitality, and the symbolic customs which tradition has attached to each season of the year were yet a reality on Egdon. Indeed, the impulses of all such outlandish hamlets are pagan still: in these spots homage to nature, self-adoration, frantic gaieties, fragments of Teutonic rites to divinities whose names are forgotten, seem in some way or other to have survived mediaeval doctrine.”
—Thomas Hardy (1840–1928)