Production
Madhouse on Castle Street was commissioned as part of the Sunday Night Play strand which had been running on BBC Television since 1950, and provided a platform for new writing. The play was written by Evan Jones, who wrote the screenplays for films such as Modesty Blaise and Funeral in Berlin, and directed by Philip Saville. Saville had seen Bob Dylan performing in New York City in 1962, and in December that year he contracted Dylan to come to London for three weeks to star in Madhouse on Castle Street, in spite of Dylan's complete lack of acting training or experience. This was the performer's first trip outside of North America. Dylan was originally supposed to have played the leading role in the play, but during rehearsals it became apparent that he lacked the ability to learn lines – stating that he would rather "express himself in song" – was lax in his time keeping, and would often wander off to smoke cannabis.
Saville was still keen to include Dylan, so – together with Jones – re-structured the play to create two characters out of the original one that Dylan had been hired to perform. Actor David Warner was hired to play the main acting role of Lennie, while Dylan performed songs commenting on the action in the manner of a Greek chorus as the new character Bobby, essentially playing himself. At the conclusion of the play, Dylan performed "Blowin' in the Wind", one of the first major public performances of the song. The play was planned to be recorded in one session on 30 December 1962, but it overran and the Technical Operating Manager told cast and crew to go home, even though they were willing to complete the filming. London was in the grip of a major blizzard and it was not possible to arrange a further session until 4 January 1963, when the play was completed, and it was transmitted on 13 January 1963.
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“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
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