Madeline Gins - Essays

Essays

  • '“Biotopological Report #10, First Draft, 2006,” (in collaboration with Arakawa). The Canary 6, 2007 Kerb, 2007/2008
  • '“(untitled),”“(untitled),”“(Poem Precedes Title),” “The The Eyelid,” Outing,” “Localization and Transference.” Séance, 2006, (in collaboration with Arakawa). pp. 169 – 171. 2006, p. 171.
  • '“The Architectural Body – Landing Sites,” (in collaboration with Arakawa). Space in America: Theory History Culture, (editors) Klaus Benesch and Kerstein Schmidt, Fall 2005.
  • '“LIVING BODY Museumeum,” Cities Without Citizens. 2003, pp. 243 –157
  • '“Gifu-Reversible Destiny” (in collaboration with Arakawa). Architectural Design, Games of Architecture, 1996, pp. 27–35.
  • '“Housing Complexity” (in collaboration with Arakawa). Journal of Philosophy and the Visual Arts no. 6, Complexity, 1995, pp. 88–95.
  • '"Landing Sites/The End of Spacetime" (in collaboration with Arakawa). Art and Design, May–June, 1993.
  • '"Person as Site in Respect to a Tentative Constructed Plan" (in collaboration with Arakawa). ANYWHERE, 1992, pp. 54–67.
  • '"The Tentative Constructed Plan as Intervening Device (for a Reversible Destiny)" (in collaboration with Arakawa). A+U: Architecture and Urbanism, December 1991, pp. 48–57.
  • '"The Process in Question," Critical Relations. Highgate Art Trust, (editor) Joan Burns, MA: Williamstown, 1989.
  • '"To Return To!" (in collaboration with Arakawa), Marcel Duchamp and the Avant-Garde Since 1950. Köln: Ludwig Museum, 1988.
  • 'Essay on Multi-Dimensional Architecture" (selections published in Boundary 2, Fall 1985/Winter 1986, and Pratt Architectural Journal, Spring 1988).
  • '"Forum: Arakawa's The Sharing of Nameless, 1982-83," DRAWING, Jan.-Feb. 1985, pp. 103–104.

Read more about this topic:  Madeline Gins

Famous quotes containing the word essays:

    If these Essays were worthy of being judged, it might fall out, in my opinion, that they would not find much favour, either with common and vulgar minds, or with uncommon and eminent ones: the former would not find enough in them, the latter would find too much; they might manage to live somewhere in the middle region.
    Michel de Montaigne (1533–1592)

    What are these essays but grotesque and monstrous bodies, pieced together of different members, without any definite shape, without any order, coherence, or proportion, except they be accidental?
    Michel de Montaigne (1533–1592)

    I undertake the same project as Montaigne, but with an aim contrary to his own: for he wrote his Essays only for others, and I write my reveries only for myself.
    Jean-Jacques Rousseau (1712–1778)