Wax Figure Making Process
In over one or more sittings, a highly skilled sculptor from Madame Tussauds Studios who is given direct access to the celebrity will record the colours of the hair and eyes, and over 500 precise body measurements are referenced. Most important is to capture the look of the celebrity in order to reflect the personality of each unique individual. The next task is to make a clay model of the head and body which is used to create a mould. Wax cast of the head and hands are made from the mould, and the eyes are inserted. Each eye is hand-painted to achieve a perfect match of the original. Real human hair is then inserted painstakingly strand by strand.
The head and hands are coloured using a blend of oil, water and acrylic colour. From the mould, the body is cast in fibreglass, and the head and hands are fitted to the fiberglass body and dressed in clothes that are often donated by the celebrity. The pose, clothes and expression on the face all contribute to making the figure as realistic as possible. The whole process usually takes up to six months by a team of 20 people to create and cost about HK$1 million each.
Read more about this topic: Madame Tussauds Hong Kong
Famous quotes containing the words wax, figure, making and/or process:
“Fowls in the frith,
Fishes in the flood,
And I must wax wod:
Much sorrow I walk with
For best of bone and blood.”
—Unknown. Fowls in the Frith. . .
Oxford Book of Short Poems, The. P. J. Kavanagh and James Michie, eds. Oxford University Press.
“Once, when lying in bed with no paper at hand, he began to sketch the idea for a new machine on the back of his wife’s nightgown. He asked her if she knew the figure he was drawing. “Yes,” she answered, “the figure of a fool.””
—For the State of New Jersey, U.S. public relief program (1935-1943)
“Time, which alone makes the reputation of men, ends by making their defects respectable.”
—Voltaire [François Marie Arouet] (1694–1778)
“To exist as an advertisement of her husband’s income, or her father’s generosity, has become a second nature to many a woman who must have undergone, one would say, some long and subtle process of degradation before she sunk [sic] so low, or grovelled so serenely.”
—Elizabeth Stuart Phelps (1844–1911)