Production
Following Big West's 1992 release of Macross II (which was subsequently retconned as an alternate universe title), original Macross staff member Shoji Kawamori began work on a true sequel to the original Macross series. To realistically depict the intense flight scenes in the anime, Kawamori - along with action choreographer Ichiro Itano and other staff members - traveled to Edwards Air Force Base (which was the basis for New Edwards Air Force Base on planet Eden in the series) in Edwards, California, for a few training sessions with dogfighting school Air Combat USA. The Advanced Tactical Fighter program of the 1980s was the basis of the Project Supernova contest between the YF-19 and YF-21. Consequently, the YF-21's design was heavily influenced by the Northrop YF-23.
The design of Eden City was influenced by the San Francisco landscape (which also served as a backdrop for Frontier City in Macross Frontier). The wind farms throughout the planet were based on those found in California's Central Valley, while Eden's highways were designed from those seen in Orlando, Florida.
Other notable staff include co-director Shinichiro Watanabe, character designer MASAYUKI and animation director Koji Morimoto, who designed the Sharon Apple concert scene. Shoji Kawamori designed all the new variable fighters in the anime. Kazutaka Miyatake was credited for the use of his previous designs for the Macross and the Destroid Monster and he was also involved in the project as mecha designer for the YF-21 cockpit, both the YF-21 and YF-19 flightsuits, the X-9 Ghost drone fighter and the renegade Zentradi battlesuits.
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