Macroscope (novel By Piers Anthony) - Themes

Themes

Macroscope's story is interwoven by many themes taken from a variety of sources.

Among theses are references to the personality traits each of the four members of the group embody. Harold is a student of astrology, and through his character each of the group member's signs are revealed; Ivo is a fire sign, Afra earth, Harold air, and Beatryx water. At several points, Anthony mentions that only the four together, acting as a unit, can solve the problems presented to them. These traits are explored throughout the book, but especially during the closing sequences, where they form the basis of the game between Afra and Schön.

Anthony also explores the concepts of logic and understanding, especially through Afra. Her attempt to revive Brad had no hope of succeeding, something she was aware of, but ignored. During a mock trial following Brad's death, Harold explores the differences between emotion and logic, demonstrating that Afra's deliberate clamping down of her emotions led her to subvert logic. This is again explored later in the book, as Schön battles her.

Anthony also uses Ivo as a stand-in for Sidney Lanier, a poet. Portions of Lanier's poetry are used throughout the book, and in other cases passages of the book closely reflect themes in Lanier's work. Through flashbacks throughout the book, Lanier's life is explored.

Finally, the overarching theme of the book explores mankind's potential for self-destruction, seen both through the example of the "prob" race as well as an exploration of humanity. Early in the book Brad complains that the population of 5 billion is unsustainable unless mankind reaches the stars, but he doubts their ability and maturity to do so. This theme is covered throughout the work, including the closing sentence.

Read more about this topic:  Macroscope (novel by Piers Anthony)

Famous quotes containing the word themes:

    I suppose you think that persons who are as old as your father and myself are always thinking about very grave things, but I know that we are meditating the same old themes that we did when we were ten years old, only we go more gravely about it.
    Henry David Thoreau (1817–1862)

    In economics, we borrowed from the Bourbons; in foreign policy, we drew on themes fashioned by the nomad warriors of the Eurasian steppes. In spiritual matters, we emulated the braying intolerance of our archenemies, the Shi’ite fundamentalists.
    Barbara Ehrenreich (b. 1941)