Print Media
There are nine Chinese daily newspapers, three Portuguese dailies and three English daily newspapers in Macau. There are also six Chinese weekly newspapers and one Portuguese weekly newspaper.
All local newspapers that have been published for at least five years are entitled to subsidies from the government.
The first newspaper that was published in Macau was Abelha da China (Chinese:蜜蜂華報) which was only published for one year.
- Macau Daily News - top circulation daily, Chinese-language,
- Va Kio Daily - privately owned Chinese daily
- Tai Chung Pou - owned by a group of businessmen
- Macau Daily Times - owned by a non-media business interests
- Macau Post Daily - Macau's oldest English language daily, owned by media interests
- Hoje Macau - Portuguese-language daily
- Jornal Tribuna de Macau - Portuguese-language daily
- Ponto Final - Portuguese-language daily
- O CLARIM - Portuguese-language weeekly, owned by the Catholic Church
Revista Macau is a quarterly magazine with cultural contents and run by the government. Macau Business is one of Macau's oldest English language publications, launched in May 2004, that is published monthly by a private company that also owns Business Intelligence a business magazine in Chinese. Inside Asian Gaming is a monthly gaming magazine, in English. Destination Macau is an English-language magazine promoting the tourism and hospitality sector published by Ignite Media Group. World Gaming is an English and Chinese language magazine promoting the gaming and tourism sector.
Read more about this topic: Macau TV
Famous quotes containing the words print and/or media:
“The country of the tourist pamphlet always is another country, an embarrassing abstraction of the desirable that, thank God, does not exist on this planet, where there are always ants and bad smells and empty Coca-Cola bottles to keep the grubby finger- print of reality upon the beautiful.”
—Nadine Gordimer (b. 1923)
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)