Style
Harrison is stylistically an Imagist and his early work relies heavily on the use of strange juxtapositions characteristic of absurdism. His work has been acclaimed by writers including Angela Carter, Neil Gaiman (who has called him "a Zen master of prose"), China Miéville, and Clive Barker, who has referred to him as "a blazing original". In a Locus magazine interview, Harrison describes his work as "a deliberate intention to illustrate human values by describing their absence."
Many of Harrison's novels include expansions or reworkings of previously published short stories. For instance, "The Ice Monkey" (title story of the collection) provides the seed for the novel Climbers, the novel The Course of the Heart is based on his short story "The Great God Pan". "Isobel Avens returns to Stepney in the Spring" is a short version of the story expanded as the novel Signs of Life; the short story "Anima", first published in Interzone magazine, also forms one of the central thematic threads of Signs of Life.
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Famous quotes containing the word style:
“There are neither good nor bad subjects. From the point of view of pure Art, you could almost establish it as an axiom that the subject is irrelevant, style itself being an absolute manner of seeing things.”
—Gustave Flaubert (1821–1880)
“I am so tired of taking to others
translating my life for the deaf, the blind,
the “I really want to know what your life is like without giving up any of my privileges
to live it” white women
the “I want to live my white life with Third World women’s style and keep my skin
class privileges” dykes”
—Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)
“I might say that what amateurs call a style is usually only the unavoidable awkwardnesses in first trying to make something that has not heretofore been made.”
—Ernest Hemingway (1899–1961)