M. D. Bright - Biography

Biography

Bright grew up in Montclair, New Jersey, receiving a B.F.A. from The Pratt Institute in 1974.

His work in comics began in 1978 with a three-page story in House of Mystery #257 (April 1978) His first regular work was providing the art for the Christopher J. Priest (then going by the name "Jim Owsley,") penned Falcon mini-series in 1983. One issue had been completed by artist Paul Smith, and Bright pencilled the remaining three issues.

His next major contribution to the world of comic books was another collaboration with Priest the final ten issues of Power Man and Iron Fist. Bright's major runs on comic book series include Solo Avengers, Iron Man, G.I. Joe, Green Lantern, Action Comics (when it was published weekly), Milestone Comics' Icon and Acclaim Comics' Quantum and Woody. Although Bright inked some of his covers, most of his interior comics artwork was created in collaboration with an inker, primarily Romeo Tanghal, Randy Emberlin, Greg Adams and Mike Gustovich. During his years as a full-time comic book artist, Bright also provided artwork for analogous trading cards: The Green Lantern Hal Jordan card for Impel's 1992 DC Cosmic Cards, approximately one-third of Impel's 1991 G.I. Joe trading card set, and all of the Green Lantern and Green Lantern Corps artwork for Impel/Skybox's 1993 DC Cosmic Teams trading cards.

After 20 years in American comic books, Bright moved into storyboarding for commercials, and live-action television and feature films, notably including M. Night Shyamalan's The Last Airbender. He has occasionally returned to comics, including an Untold Tales of the New Universe one-shot for Marvel Comics and a Transformers Spotlight issue for IDW Publishing.

He also created the Damaged comic series with Jason McKee of A-10 Comics. Bright's Christian-themed comic strip ...level path, that he writes and draws, is occasionally updated on his website.

Read more about this topic:  M. D. Bright

Famous quotes containing the word biography:

    Just how difficult it is to write biography can be reckoned by anybody who sits down and considers just how many people know the real truth about his or her love affairs.
    Rebecca West [Cicily Isabel Fairfield] (1892–1983)

    A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.
    André Maurois (1885–1967)

    There never was a good biography of a good novelist. There couldn’t be. He is too many people, if he’s any good.
    F. Scott Fitzgerald (1896–1940)