Dressing/Compass Case
With the adoption of the M1956 equipment, a single simple Dressing or Compass Case replaced both the M1938 Compass Case and the M1910 and M1942(Carlisle) Dressing Pouches. This case could accommodate one each of either the standard lensatic compass or one of several individual field dressings in the inventory. A top flap closed by means of a blackened brass snap and the canvas case could be attached to the webbing by means of a single slide keeper. Later production models incorporated a metal-rimmed drainage eyelet at the bottom of the pouch. Each soldier was issued one case for carrying a field dressing, and those whose duties required them to carry the standard unmounted lensatic compass carried another for that piece of equipment. Placement varied with unit standards, but this case was often mounted in one of three places. Either on the horizontal straps on the suspenders (either shoulder and either right-side up or upside down for quick access), on the pistol belt between the buckle and ammunition case, or on the piece of webbing on the side of the ammunition case intended for the attachment of grenades.
Read more about this topic: M-1956 Load-Carrying Equipment
Famous quotes containing the words dressing, compass and/or case:
“You are all fundamentalists with a top dressing of science. That is why you are the stupidest of conservatives and reactionists in politics and the most bigoted of obstructionists in science itself. When it comes to getting a move on you are all of the same opinion: stop it, flog it, hang it, dynamite it, stamp it out.”
—George Bernard Shaw (1856–1950)
“Histories of the world omitted China; if a Chinaman invented compass or movable type or gunpowder we promptly “forgot it” and named their European inventors. In short, we regarded China as a sort of different and quite inconsequential planet.”
—W.E.B. (William Edward Burghardt)
“The real exertion in the case of an opera singer lies not so much in her singing as in her acting of a role, for nearly every modern opera makes great dramatic and physical demands.”
—Maria Jeritza (1887–1982)