Style
Lyrics Born's rhymes showcase a large vocabulary, and often complex rhythmic patterns, deployed via regular use of various rhyming techniques, such as alliteration, internal rhyme, and double entendres. His style also frequently blends such techniques with melody, for which he has coined the term "Em-singing". His style is influenced by groups and artists such as James Brown, Curtis Mayfield, Syl Johnson, KRS-One, Jon Hendricks, Rakim, Kool G. Rap, The Sugarhill Gang and Ice Cube is often conversational, observant, and melodious. His signature, sandy baritone speaking/rapping voice and "Bay Area drawl" has drawn comparisons to Barry White, Tone-Loc, and Tom Waits. Songs such as "Before and After" explore the subtleties of day-to-day human relations while "The Last Trumpet" (with Lateef) features a very politically charged and globally conscious mindset.
His collaborations with Lateef on Latyrx records often see them trading lyrics back and forth in quick succession - Lyrics Born and Lateef's methodology for writing this type of lyric is described by Lateef in the book How to Rap: "With Latyrx stuff, when we have parts that we’re writing that we’re both going to be trading off, we write them together for the most part. I’ll sit there and write a rhyme, like I’ll write a line or two and then we’ll break up who’s gonna say what, and he’ll write a line or two and we’ll break up who’s gonna say what. It’s a very organic process."
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Famous quotes containing the word style:
“It is not in our drawing-rooms that we should look to judge of the intrinsic worth of any style of dress. The street-car is a truer crucible of its inherent value.”
—Elizabeth Stuart Phelps (1844–1911)
“His style is eminently colloquial, and no wonder it is strange to meet with in a book. It is not literary or classical; it has not the music of poetry, nor the pomp of philosophy, but the rhythms and cadences of conversation endlessly repeated.”
—Henry David Thoreau (1817–1862)
“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”
—Cyril Connolly (1903–1974)