Lynemouth Power Station - Cultural Use and Visual Impact

Cultural Use and Visual Impact

Since its construction, the station has made appearances in a small number of films shot locally. These include:

  • Seacoal - a movie made by Amber Films in 1985. The station is features heavily as a backdrop in the beach scenes, where the characters are working, collecting seacoal. Photographer Mik Critchlow (who would later become involved with Amber Films' sister company Side Gallery) also documented the seacoalers at Lynemouth, between 1981 and 1983. He also used the power station as an industrial backdrop to some of his images.
  • Billy Elliot - a 2000 film directed by Stephen Daldry. The power station and the smelter both feature as an industrial backdrop in the film's cemetery scenes. The power station's coal sorting area is used to represent a colliery.

The chimneys of both the power station and the smelter are strong landmarks on the local coastline, and can be seen over a 25 kilometres (16 mi) stretch of coast, from Cresswell down to South Shields pier.

Read more about this topic:  Lynemouth Power Station

Famous quotes containing the words cultural, visual and/or impact:

    The only justification for repressive institutions is material and cultural deficit. But such institutions, at certain stages of history, perpetuate and produce such a deficit, and even threaten human survival.
    Noam Chomsky (b. 1928)

    Nowadays people’s visual imagination is so much more sophisticated, so much more developed, particularly in young people, that now you can make an image which just slightly suggests something, they can make of it what they will.
    Robert Doisneau (b. 1912)

    As in political revolutions, so in paradigm choice—there is no standard higher than the assent of the relevant community. To discover how scientific revolutions are effected, we shall therefore have to examine not only the impact of nature and of logic, but also the techniques of persuasive argumentation effective within the quite special groups that constitute the community of scientists.
    Thomas S. Kuhn (b. 1922)