Biography
Growing up Mays had four main interests: chess, mathematics, architecture and music. His parents were musically inclined – his mother was a pianist, his father was a guitarist – and he was able to study the piano with the help of instructor Rose Barron. She allowed Mays the opportunity to practice improvisation after the structured elements of the lesson were completed. At age 9 he played organ at a family member's wedding, and at age 14 he began to play organ in church. In summer camp he was introduced to important jazz artists.
Bill Evans' album Live in Montreux and Miles Davis' album Filles de Kilimanjaro were important influences on his formation as a jazz musician. He graduated from the University of North Texas after attending the University of Wisconsin-Eau Claire. He composed and arranged for the world renowned One O'Clock Lab Band and was the composer and arranger of their highly regarded and Grammy nominated Lab 75 album.
After leaving UNT, Mays toured with Woody Herman's group for approximately eight months.
In 1974, he met Pat Metheny with whom he later founded the Pat Metheny Group. During that period he lived in New York City, so poor that he was "almost starving." Mays has won eleven Grammys with the Pat Metheny Group and been nominated for four others for his own work.
Read more about this topic: Lyle Mays
Famous quotes containing the word biography:
“A biography is like a handshake down the years, that can become an arm-wrestle.”
—Richard Holmes (b. 1945)
“The death of Irving, which at any other time would have attracted universal attention, having occurred while these things were transpiring, went almost unobserved. I shall have to read of it in the biography of authors.”
—Henry David Thoreau (1817–1862)
“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (1885–1967)