Lute - History and Evolution of The Lute

History and Evolution of The Lute

See also: Lyre

The origins of the lute are obscure, and organologists disagree about the very definition of a lute. The highly influential organologist Curt Sachs distinguished between the "long-necked lute" (Langhalslaute) and the short-necked variety: both referred to chordophones with a neck as distinguished from harps and psalteries. Smith and others argue the long-necked variety should not be called lute at all because it existed for at least a millennium before the appearance of the short-necked instrument that eventually evolved into what is now known as the lute. It also was never called a lute before the 20th century.

Various types of necked chordophones were in use in ancient Greek, Egyptian (in the Middle Kingdom), Iranian (Elamite and others), Hittite, Roman, Bulgar, Turkic, Indian, Chinese, Armenian/Cilician cultures. The Lute developed its familiar forms as Barbat in Persia, Armenia, and Byzantium beginning in the early 7th century. These instruments often had bodies covered with animal skin, and it is unknown exactly when it became replaced with a wooden soundboard.

As early as the 6th century, the Bulgars brought the short-necked variety of the instrument called Komuz to the Balkans, and in the 9th century, Moors brought the Oud to Spain. The long-necked Pandura had previously been a quite common variety of the lute in the Mediterranean. The quitra did not become extinct, however, but continued its evolution. Besides the still surviving Kuitra of Algiers and Morocco, its descendants include the Chitarra Italiana, Chitarrone and Colascione.

Read more about this topic:  Lute

Famous quotes containing the words history, evolution and/or lute:

    When the history of this period is written, [William Jennings] Bryan will stand out as one of the most remarkable men of his generation and one of the biggest political men of our country.
    William Howard Taft (1857–1930)

    By contrast with history, evolution is an unconscious process. Another, and perhaps a better way of putting it would be to say that evolution is a natural process, history a human one.... Insofar as we treat man as a part of nature—for instance in a biological survey of evolution—we are precisely not treating him as a historical being. As a historically developing being, he is set over against nature, both as a knower and as a doer.
    Owen Barfield (b. 1898)

    My lute awake! perform the last
    Labour that thou and I shall waste,
    And end that I have now begun;
    For when this song is sung and past,
    My lute be still, for I have done.
    Sir Thomas Wyatt (1503?–1542)