Lupita D'Alessio - Biography

Biography

She started her career in showbusiness with her father Poncho D'Alessio who had a musical show called La Familia D'Alessio on a Tijuana television station. She then moved to Mexico City and released a single "Mi Corazón es un Gitano", then she was selected to perform the theme song of the telenovela of Televisa titled Mundo de juguete. She was invited to take roles on Ana del Aire and other productions in the 1970s and 1980s. Lupita sang the title song of telenovela Pacto de Amor, where she also acted.

In 1980, Lupita was one of the main characters in Ernesto Alonso's Aprendiendo a Amar, where she played the role of his older daughter (the younger daughter was played by Erika Buenfil). The telenovela starred Susana Dosamantes (mother of Paulina Rubio). Lupita also sang the theme song "A Mí". She performed concerts on tour in Central and South America.

In 1986, Lupita starred in the movie Mentiras alongside Juan Ferrara, where she played Lupita Montero, an aspiring singer; she performed several songs for the soundtrack of the movie, including "Mudanzas". In 1987, she appeared in the short telenovela Tiempo De Amar, alongside Fernando Allende. Her last project of the 1980s was 1989's "Quién te crees tú", the theme to her last finished acting project, telenovela Lo Blanco y lo Negro.

In 2000, she accepted a telnovela role in TV Azteca's Ellas, inocentes o culpables, although she left the production after a month. She returned to Televisa in 2002 for a guest appearance on the situation comedy La Jaula with Cesar Bono, Carlos Eduardo Rico and Sheyla Tadeo.

For her work in television and as a recording artist, D'Alessio has her handprints and star imbedded on the Paseo de las Luminarias in Mexico City.

In 2011, she participated as a critic in several episodes of Parodiando.

Read more about this topic:  Lupita D'Alessio

Famous quotes containing the word biography:

    There never was a good biography of a good novelist. There couldn’t be. He is too many people, if he’s any good.
    F. Scott Fitzgerald (1896–1940)

    Just how difficult it is to write biography can be reckoned by anybody who sits down and considers just how many people know the real truth about his or her love affairs.
    Rebecca West (1892–1983)

    As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.
    Henry David Thoreau (1817–1862)