Lupin III - Production

Production

Monkey Punch's inspiration for the series was the fictional French gentleman thief Arsène Lupin, created by Maurice Leblanc. However Monkey Punch did not ask permission to use the character's name, leading to eventual copyright issues with the Leblanc estate.

When Monkey Punch began Lupin III, he was already working on another series, Pinky Punky. Monkey Punch enjoys writing outlaw characters, and both Lupin III and Pinky Punky made use of outlaws as central characters. According to him, this made it easy for him to write two series without much pressure. Monkey Punch enjoys puzzles and mysteries such as Columbo and Agatha Christie novels, and was also inspired by The Three Musketeers. He believes the characters of Lupin and Fujiko are similar to the characters of D'Artagnan and Milady de Winter, and describes them as "Not necessarily lovers, not necessarily husband and wife, but more just having fun as man and woman with each other". Another influence on the manga was MAD Magazine. The appeal of drawing Lupin comes from being able to go anywhere without obstacles and being able to do whatever he wants, whenever he wants. However, this is contrasted by the appeal of Zenigata's strict personality. Originally the series was only expected to last three months, but due to its popularity, Monkey Punch continued to draw it. However, despite his happiness at its success, he has expressed confusion over its popularity.

Read more about this topic:  Lupin III

Famous quotes containing the word production:

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)

    In the production of the necessaries of life Nature is ready enough to assist man.
    Henry David Thoreau (1817–1862)

    The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.
    Ernest Gellner (b. 1925)