Works
In 1911 her first credited work as co-director was released: Die Glückspuppe ("Good Luck Doll"). Other dramas followed in the same year: Der Dorftrottel ("The Village Idiot"), Tragödie eines Fabriksmädels ("Tragedy of a Factory Girl") and Nur ein armer Knecht ("Just a Poor Fellow"). In 1913 were premiered her works as director and producer "Der Psychiater" ("The Psychiatrist") and Das Proletarierherz ("The Proletarian Heart").
During World War I she directed the pro-Habsburg propaganda dramas Mit Herz und Hand fürs Vaterland ("With Hand and Heart for the Fatherland") (1915) and Mit Gott für Kaiser und Reich ("With God for Kaiser and Reich") (1916). In 1918 appeared Der Doppelselbstmord ("The Double Suicide").
She also made use of Austrian literature in Die Ahnfrau ("The Ancestress"), based on the play of the same name by Franz Grillparzer, and Lumpazivagabundus, both from 1919. From 1911 to 1922, the year in which her husband Anton died, Luise is known to have directed over 45 films, and the number may have been considerably higher.
Luise Kolm, as she was then called, was principally responsible for the studio's production of socially critical dramas that dealt with questions of class conflict and ideological questions, unlike the standard productions of other film studios of the time. The actor Eduard Sekler, who worked for Wiener Kunstfilm, described her in this way: "Luise Kolm was a brilliant all-round talent while her husband Kolm just looked after the money - she did everything, she cut and spliced the films, wrote the intertitles and helped her brother in the laboratory. Without her drive and initiative it's doubtful if the firm could have remained in existence."
Further works by her were the film adaptation of Arthur Schnitzler's middle-class tragedy Liebelei ("Flirtation") in 1927 and Wenn die Soldaten... ("when The Soldiers...") in 1931. Der Pfarrer von Kirchfeld ("The Pastor of Kirchfeld") appeared in cinemas in 1937. It was Luise and Jacob Fleck's first sound film production, based on a well-known anti-clerical play of 1870 by Ludwig Anzengruber. It was intended as anti-Nazi and pro-Catholic "Austria propaganda", but was not perceived as such by the critics, who misinterpreted and discounted it.
Altogether Luise Fleck wrote at least 18 screenplays, directed 53 films and produced 129 films. Some sources assume far higher figures, allowing for her work being often uncredited.
Read more about this topic: Luise Fleck
Famous quotes containing the word works:
“Again we mistook a little rocky islet seen through the “drisk,” with some taller bare trunks or stumps on it, for the steamer with its smoke-pipes, but as it had not changed its position after half an hour, we were undeceived. So much do the works of man resemble the works of nature. A moose might mistake a steamer for a floating isle, and not be scared till he heard its puffing or its whistle.”
—Henry David Thoreau (1817–1862)
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)