Art Career
Telles, who learned basket weaving as a child, was well known for her fine basketry during her lifetime. Her innovations in basket weaving had a lasting influence on Yosemites weavers. While traditional Miwok baskets had one color, she used two colors per baskets. She created black from bracken fern root (Pteridium aquilinum) and red from split redbud twigs. She created new basketry designs, some inspired by Plains Indian geometric beadwork. Lucy sold her baskets to Yosemite visitors.
By the 1920s, Telles was regarded as the best basket weaver in Yosemite Valley. In 1924, she won a prize of $100 for her baskets. Her most famous basket was the largest known to have been woven in Yosemite Valley. It sold for $250 in 1939. An enormous basket with a 36" diameter that took her four years to weave took first prize at the 1933 World's Fair. In 1950, Telles raffled off this basket, her son won it, and the National Park Service purchased it for their Yosemite Museum.
Lucy demonstrated basket making to park visitors from 1930 until her death in 1955 or 1956. She taught her grandson's wife, Julia Peter Parker (Kashaya Pomo) how to weave baskets. She was one of the most prolific California and Yosemite – Mono Lake Paiute basket makers. Several of her baskets are featured at the Yosemite National Park Indian museum.
Read more about this topic: Lucy Telles
Famous quotes containing the words art and/or career:
“Where the heart is, there the muses, there the gods sojourn, and not in any geography of fame. Massachusetts, Connecticut River, and Boston Bay, you think paltry places, and the ear loves names of foreign and classic topography. But here we are; and, if we tarry a little, we may come to learn that here is best. See to it, only, that thyself is here;and art and nature, hope and fate, friends, angels, and the Supreme Being, shall not absent from the chamber where thou sittest.”
—Ralph Waldo Emerson (18031882)
“Whether lawyer, politician or executive, the American who knows whats good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)