Lucky Starr and The Rings of Saturn - Setting

Setting

Lucky Starr and the Rings of Saturn is set mostly within the Saturnian system, depicted as accurately as the knowledge of the late 1950s allowed. At that time, only nine satellites had been discovered, the innermost known satellite being Mimas. Asimov describes Mimas as being 340 miles in diameter, but its diameter is now known to be 240 miles. Several of the novel's chapters are set on Titan, which was then thought to be the third largest satellite in the Solar System, after Ganymede and Triton. Its atmosphere is described as "almost as thick as Earth's" and composed mostly of methane. It is now known that Titan is the second largest satellite in the Solar System after Ganymede, and that its atmosphere is denser than Earth's and is 98.4% nitrogen and only 1.6% methane.

The final chapters take place on the asteroid Vesta, which Asimov notes is the brightest of the asteroids. At the time, it was believed that Vesta was 215 miles in diameter, although its mean diameter is now known to be closer to 330 miles.

Read more about this topic:  Lucky Starr And The Rings Of Saturn

Famous quotes containing the word setting:

    “Oh, let’s go up the hill and scare ourselves,
    As reckless as the best of them tonight,
    By setting fire to all the brush we piled
    With pitchy hands to wait for rain or snow....”
    Robert Frost (1874–1963)

    Dandyism is the last flicker of heroism in decadent ages.... Dandyism is a setting sun; like the declining star, it is magnificent, without heat and full of melancholy. But alas! the rising tide of democracy, which spreads everywhere and reduces everything to the same level, is daily carrying away these last champions of human pride, and submerging, in the waters of oblivion, the last traces of these remarkable myrmidons.
    Charles Baudelaire (1821–1867)

    We believe that Carlyle has, after all, more readers, and is better known to-day for this very originality of style, and that posterity will have reason to thank him for emancipating the language, in some measure, from the fetters which a merely conservative, aimless, and pedantic literary class had imposed upon it, and setting an example of greater freedom and naturalness.
    Henry David Thoreau (1817–1862)